1 00:00:14,050 --> 00:00:15,620 SARGE. 2 00:00:15,650 --> 00:00:16,720 SIPOWICZ. 3 00:00:16,760 --> 00:00:18,200 ANYTHING? 4 00:00:18,220 --> 00:00:20,190 PURSE SNATCHED. 5 00:00:20,220 --> 00:00:22,520 GIVE ME A BREAK. COME ON, GUYS. 6 00:00:22,560 --> 00:00:23,860 THIS IS MY COUSIN. WE'RE NOT GOING ANYWHERE. 7 00:00:23,900 --> 00:00:25,600 HOW ABOUT LOSING THE CUFFS? 8 00:00:25,630 --> 00:00:28,100 SUMANSKI'S COUSIN WAS HIT BY A CAR THIS MORNING. 9 00:00:28,130 --> 00:00:31,700 THAT'S HIS OTHER COUSIN, D. O. A.'S BROTHER, AND A FRIEND. 10 00:00:31,740 --> 00:00:34,580 THEY MIXED IT UP A LITTLE WITH THE DRIVER AT THE SCENE. 11 00:00:34,610 --> 00:00:36,080 HEY, ANDY. 12 00:00:36,110 --> 00:00:38,750 HEY. SARGE. 13 00:00:38,780 --> 00:00:40,820 I JUST GOT WORD ‐‐ I'M BACK TO FULL DUTY. 14 00:00:40,850 --> 00:00:41,820 CONGRATS. 15 00:00:41,850 --> 00:00:43,450 YEAH, THANKS AGAIN, ANDY. 16 00:00:43,480 --> 00:00:45,380 THERE'S THE SON OF A BITCH KILLED TERRY! 17 00:00:45,420 --> 00:00:46,830 HEY! HEY! 18 00:00:46,850 --> 00:00:48,420 Andy: HEY, HEY, STEVE! 19 00:00:48,450 --> 00:00:51,620 STAY OUT OF THIS. 20 00:00:51,660 --> 00:00:53,930 Man: GRAB HIS ARMS. 21 00:00:58,500 --> 00:01:01,540 Man: BRING HIM DOWN. 22 00:01:02,700 --> 00:01:04,470 WHAT THE HELL IS GOING ON HERE? 23 00:01:04,500 --> 00:01:06,670 THE SON OF A BITCH KILLED MY BROTHER! 24 00:01:06,710 --> 00:01:08,310 HOW MANY TIMES YOU GOING TO LET THIS GUY ATTACK ME? 25 00:01:08,340 --> 00:01:09,570 TAKE THIS MESS UPSTAIRS TO THE SQUAD. 26 00:01:09,610 --> 00:01:11,310 GET HIM UP TO INTERVIEW THREE 27 00:01:11,340 --> 00:01:13,270 AND TAKE THESE TWO INTO THE POKEY. 28 00:01:13,310 --> 00:01:14,780 SUMANSKI, YOU STAY OUT OF THIS. 29 00:01:14,810 --> 00:01:16,410 HE'S MY COUSIN. WE JUST LOST HIS BROTHER. 30 00:01:16,450 --> 00:01:17,820 YOU STAY OUT OF IT TILL YOU HEAR FROM ME. 31 00:01:17,850 --> 00:01:19,480 WHAT, I CAN'T HANDLE MYSELF? 32 00:01:19,520 --> 00:01:21,590 YOU NEED TO KEEP YOUR HANDS OFF PEOPLE 33 00:01:21,620 --> 00:01:23,080 FOR A WHILE, GOT IT? 34 00:01:23,120 --> 00:01:24,220 OKAY. 35 00:01:26,790 --> 00:01:29,460 I NEVER GOT INTO A FIGHT 36 00:01:29,490 --> 00:01:33,130 WHERE I DIDN'T BREAK MY WATCHBAND. 37 00:02:53,480 --> 00:02:54,950 GOT A ROBBERY AND STABBING 38 00:02:54,980 --> 00:02:56,910 OVER AT THE PAST TIMES ANTIQUES MARKET. 39 00:02:56,950 --> 00:02:58,910 VICTIM'S CAPTAIN BASS'S WIFE. 40 00:02:58,950 --> 00:03:00,020 OH, JEEZ. 41 00:03:00,050 --> 00:03:01,350 E.M.S. IS TAKING HER TO BELLEVUE. 42 00:03:01,390 --> 00:03:02,730 YOU WANT US TO MEET HER THERE? 43 00:03:02,750 --> 00:03:04,420 YOU AND GREG CHECK OUT THE CRIME SCENE. 44 00:03:04,460 --> 00:03:06,030 DIANE CAN GO OVER TO BELLEVUE. 45 00:03:06,060 --> 00:03:08,930 I'M GOING TO CALL THE BUREAU, SEE IF I CAN FIND CAPTAIN BASS. 46 00:03:08,960 --> 00:03:11,230 SO, WHAT HAPPENED DOWNSTAIRS? 47 00:03:11,260 --> 00:03:12,430 WE GOT A VEHICULAR HOMICIDE. 48 00:03:12,460 --> 00:03:13,430 A.I.S. IS THERE NOW, 49 00:03:13,460 --> 00:03:14,460 BUT THE FIRST COP ON THE SCENE 50 00:03:14,500 --> 00:03:16,060 HAS WITNESSES SAYING IT WAS ACCIDENTAL. 51 00:03:16,100 --> 00:03:18,270 BUT WHAT HAPPENED DOWNSTAIRS? 52 00:03:18,300 --> 00:03:19,640 IT WENT DOWN RIGHT IN FRONT 53 00:03:19,670 --> 00:03:21,200 OF THE D. O. A.'S BROTHER AND FRIEND. 54 00:03:21,240 --> 00:03:23,910 THEY GO AFTER THE DRIVER, KNOCK HIM AROUND, 55 00:03:23,940 --> 00:03:25,810 PUT A GARBAGE CAN THROUGH HIS WINDSHIELD, 56 00:03:25,840 --> 00:03:27,780 THEN THEY CROSS PATHS AGAIN DOWNSTAIRS ‐‐ 57 00:03:27,810 --> 00:03:29,140 ANOTHER DONNYBROOK. 58 00:03:29,180 --> 00:03:30,650 HOW'S SUMANSKI INVOLVED? 59 00:03:30,680 --> 00:03:32,650 THE D. O. A. AND THE BROTHER THAT FLIPPED OUT, 60 00:03:32,680 --> 00:03:34,080 THEY'RE SUMANSKI'S COUSINS. 61 00:03:34,120 --> 00:03:36,480 AND HE'S LOOKING FOR A LITTLE RHYTHM? 62 00:03:36,520 --> 00:03:37,620 SO, HOW'S THE DRIVER? 63 00:03:37,660 --> 00:03:39,830 WELL, HE'S PISSED BUT, YOU KNOW, SHOOK UP. 64 00:03:39,860 --> 00:03:41,820 INJURED IN THE FIGHT? NOTHING BROKEN. 65 00:03:41,860 --> 00:03:44,790 SEE IF SUMANSKI WILL COVER ANY DAMAGES TO THE CAR 66 00:03:44,830 --> 00:03:46,900 AND, IF SO, TRY AND GET THE DRIVER 67 00:03:46,930 --> 00:03:48,760 TO COME OFF THE ASSAULT. 68 00:03:50,470 --> 00:03:53,300 HE SAW HIS BROTHER DEAD ON THE STREET, OKAY, 69 00:03:53,340 --> 00:03:55,010 SO HE LOST IT A LITTLE. 70 00:03:55,040 --> 00:03:56,810 WE'RE GOING TO TRY AND WORK THIS OUT. 71 00:03:56,840 --> 00:03:58,170 IF NOT FOR ME, THEN FOR MY DAD, 72 00:03:58,210 --> 00:03:59,640 WHO HAD 32 YEARS ON THE JOB 73 00:03:59,680 --> 00:04:01,410 AND BASICALLY RAISED TERRY AND STEVE 74 00:04:01,450 --> 00:04:03,020 WHEN THEIR DAD DIED 20 YEARS AGO. 75 00:04:03,050 --> 00:04:04,460 WE'RE DOING THIS FOR YOU. 76 00:04:04,480 --> 00:04:05,610 NOW, CAN WE TELL THE DRIVER 77 00:04:05,650 --> 00:04:06,780 THAT YOUR COUSIN AND HIS BUDDY 78 00:04:06,820 --> 00:04:08,320 ARE GOING TO COVER THE DAMAGES TO HIS CAR? 79 00:04:08,350 --> 00:04:10,650 HELL, YES. WHATEVER YOU NEED. 80 00:04:12,860 --> 00:04:14,830 SORRY TO HEAR ABOUT YOUR COUSIN. 81 00:04:14,860 --> 00:04:17,490 THANKS. 82 00:04:17,530 --> 00:04:19,260 I'LL BE ON THE AIR, JOHN. 83 00:04:19,300 --> 00:04:21,270 OKAY, LIEUTENANT. 84 00:04:21,300 --> 00:04:22,960 WHY DON'T YOU WAIT HERE? WE'LL GO TALK TO THIS GUY. 85 00:04:23,000 --> 00:04:24,430 IS FANCY HIP TO ALL THIS? 86 00:04:24,470 --> 00:04:25,770 YEAH. 87 00:04:25,800 --> 00:04:27,270 GREAT. 88 00:04:27,310 --> 00:04:29,150 HEY, IT WAS HIS IDEA YOU COVERING EXPENSES 89 00:04:29,170 --> 00:04:30,770 TO GET THE DRIVER OFF THE ASSAULT. 90 00:04:30,810 --> 00:04:32,040 DOES HE KNOW THE DRIVER'S BLACK YET? 91 00:04:32,080 --> 00:04:33,520 WHY DON'T YOU KEEP YOUR MOUTH SHUT 92 00:04:33,550 --> 00:04:35,490 AND QUIT WHILE YOU'RE AHEAD, SUMANSKI? 93 00:04:40,920 --> 00:04:42,720 [ DOOR OPENS ] 94 00:04:42,750 --> 00:04:43,950 HOW YOU FEELING? 95 00:04:43,990 --> 00:04:45,550 LIKE I'VE BEEN BEAT UP TWICE TODAY. 96 00:04:45,590 --> 00:04:47,390 THEY CAN'T DO THAT, MAN. 97 00:04:47,430 --> 00:04:50,000 THEY WERE OUT OF LINE. NO ONE'S SAYING THEY WEREN'T. 98 00:04:50,030 --> 00:04:51,560 THIS WAS AN ACCIDENT. 99 00:04:51,600 --> 00:04:52,670 THAT GUY JUMPS RIGHT OUT 100 00:04:52,700 --> 00:04:54,170 FROM BETWEEN TWO PARKED CARS, 101 00:04:54,200 --> 00:04:55,530 AND I HAD NO TIME TO STOP! 102 00:04:55,570 --> 00:04:57,640 YEAH, ACCIDENT INVESTIGATION IS DOWN THERE RIGHT NOW 103 00:04:57,670 --> 00:04:59,170 GETTING STATEMENTS FROM WITNESSES. 104 00:04:59,200 --> 00:05:01,040 WELL, I'M TELLING YOU, THAT'S WHAT HAPPENED. 105 00:05:01,070 --> 00:05:03,070 MAYBE I CAN UNDERSTAND THOSE GUYS 106 00:05:03,110 --> 00:05:04,920 GETTING HEATED ON THE STREET, 107 00:05:04,940 --> 00:05:07,510 BUT THAT NONSENSE DOWNSTAIRS, MAN ‐‐ NO WAY! 108 00:05:07,550 --> 00:05:09,520 THOSE GUYS THAT CAME AT YOU, 109 00:05:09,550 --> 00:05:12,080 ONE OF THEM IS THE BROTHER OF THE GUY WHO DIED. 110 00:05:12,120 --> 00:05:13,190 YEAH. I HEARD. 111 00:05:13,220 --> 00:05:14,890 THEY'VE CALMED DOWN NOW, 112 00:05:14,920 --> 00:05:16,890 AND THEY WANT TO TAKE CARE OF ANY DAMAGES TO YOUR CAR, 113 00:05:16,920 --> 00:05:18,350 AND IF YOU NEED TO GET LOOKED AT, 114 00:05:18,390 --> 00:05:20,160 I'M SURE THEY'LL COVER ANY HOSPITAL COSTS. 115 00:05:20,190 --> 00:05:22,220 THEY'RE JUST SAYING THAT BECAUSE THEY DON'T WANT ME 116 00:05:22,260 --> 00:05:23,860 TO PRESS CHARGES AGAINST THEM, RIGHT? 117 00:05:23,900 --> 00:05:25,440 RIGHT? 118 00:05:25,460 --> 00:05:27,700 HE FOUND HIS BROTHER DEAD ON THE STREET. 119 00:05:27,730 --> 00:05:30,170 WHO KNOWS HOW ANY OF US WOULD REACT TO THAT? 120 00:05:30,200 --> 00:05:31,700 WELL, HOW DO I KNOW 121 00:05:31,740 --> 00:05:33,240 THEY WON'T COME LOOKING FOR ME LATER? 122 00:05:33,270 --> 00:05:36,910 THEY WON'T. I'LL MAKE SURE OF IT. 123 00:05:36,940 --> 00:05:39,240 HE JUST RAN IN FRONT OF ME! 124 00:05:39,280 --> 00:05:42,390 WHAT DO YOU WANT TO DO, MR. MACKEY? 125 00:05:45,450 --> 00:05:48,750 WHATEVER. 126 00:05:48,790 --> 00:05:51,300 YEAH, UH... 127 00:05:53,790 --> 00:05:55,560 TELL THEM I'M COOL IF THEY ARE. 128 00:06:03,000 --> 00:06:05,270 THANKS. 129 00:06:05,300 --> 00:06:07,270 MRS. BASS? 130 00:06:07,310 --> 00:06:09,250 I'M DIANE RUSSELL FROM THE 15th DETECTIVE SQUAD. 131 00:06:09,270 --> 00:06:11,570 MY HUSBAND IS CAPTAIN BASS. DO YOU WORK FOR HIM? 132 00:06:11,610 --> 00:06:13,310 HE'S OUR ZONE COMMANDER. 133 00:06:13,340 --> 00:06:14,940 WHERE IS HE? HAS HE BEEN NOTIFIED? 134 00:06:14,980 --> 00:06:16,410 HE'S ON HIS WAY WITH MY LIEUTENANT. 135 00:06:16,450 --> 00:06:19,060 DOCTOR SAID IT WAS OKAY IF I ASKED YOU A FEW QUESTIONS, 136 00:06:19,080 --> 00:06:20,220 IF THAT'S OKAY WITH YOU. 137 00:06:20,250 --> 00:06:21,820 I'VE ALREADY TOLD WHAT HAPPENED 138 00:06:21,850 --> 00:06:23,080 TO THE UNIFORMED OFFICERS. 139 00:06:23,120 --> 00:06:25,090 WELL, COULD YOU TELL ME? 140 00:06:25,120 --> 00:06:27,490 A BLACK MAN CAME INTO MY SHOP TO ROB ME, 141 00:06:27,530 --> 00:06:29,400 AND HE STABBED ME IN THE ARM. 142 00:06:29,430 --> 00:06:31,170 IT WAS ABOUT 9:15. 143 00:06:31,200 --> 00:06:33,400 I CAME IN EARLY TO DO SOME PAPERWORK. 144 00:06:33,430 --> 00:06:36,000 THIS IS THE PAST TIMES ANTIQUE MART ON 2nd AVENUE? 145 00:06:36,030 --> 00:06:38,000 NO, I HAVE MY OWN SHOP. 146 00:06:38,040 --> 00:06:39,810 THEY GIVE US ALL KEYS TO THE FRONT DOOR 147 00:06:39,840 --> 00:06:41,500 SO WE CAN COME AND GO ON OUR OWN TIME. 148 00:06:41,540 --> 00:06:44,170 DID YOU SEE ANYONE ELSE IN THE BUILDING 149 00:06:44,210 --> 00:06:45,610 YOU DIDN'T RECOGNIZE? 150 00:06:45,640 --> 00:06:46,840 NO. I DID SEE JOSIE. 151 00:06:46,880 --> 00:06:49,340 SHE SELLS AUTOGRAPHS ON THE GROUND FLOOR. 152 00:06:49,380 --> 00:06:52,250 WAS THE MAN WAITING THERE WHEN YOU GOT TO YOUR SHOP? 153 00:06:52,280 --> 00:06:54,420 NO. I WAS WORKING IN THE BACK, 154 00:06:54,450 --> 00:06:56,750 AND WHEN I CAME OUT TO USE THE RESTROOM, 155 00:06:56,790 --> 00:06:58,490 HE WAS GOING THROUGH MY BAG. 156 00:06:58,520 --> 00:06:59,820 NEXT THING I KNEW, 157 00:06:59,860 --> 00:07:02,360 HE PULLED OUT A KNIFE FROM HIS RIGHT POCKET, 158 00:07:02,390 --> 00:07:05,430 AND HE CUT ME, AND I FELL DOWN. 159 00:07:05,460 --> 00:07:08,000 THEN HE TOOK SOME SILVER GOBLETS 160 00:07:08,030 --> 00:07:09,670 AND STUCK THEM IN HIS COAT 161 00:07:09,700 --> 00:07:10,700 AND RAN AWAY. 162 00:07:10,740 --> 00:07:12,310 CAN YOU DESCRIBE THIS GUY? 163 00:07:12,340 --> 00:07:15,210 LIKE I SAID, HE WAS BLACK, AND I THINK HE WAS BIG, 164 00:07:15,240 --> 00:07:17,470 BUT I WAS TRYING TO LOOK AWAY 165 00:07:17,510 --> 00:07:18,940 SO HE WOULDN'T KILL ME. 166 00:07:18,980 --> 00:07:20,320 CLIFFORD, 167 00:07:20,340 --> 00:07:22,940 IT WAS A NIGHTMARE. I THOUGHT I WAS DEAD. 168 00:07:22,980 --> 00:07:25,180 IT'S OKAY, NIKKI. NOW, CALM DOWN. 169 00:07:25,220 --> 00:07:26,190 IT'S ALL OVER. 170 00:07:26,220 --> 00:07:27,690 I LOST BLOOD! 171 00:07:27,720 --> 00:07:29,950 HOW CAN I EVER GO BACK THERE? 172 00:07:29,990 --> 00:07:32,020 NOT ENOUGH HE ROBS HER. 173 00:07:32,060 --> 00:07:34,670 HE'S GOT TO CUT A HELPLESS WOMAN. 174 00:07:34,690 --> 00:07:35,890 THE STITCHES HURT, 175 00:07:35,930 --> 00:07:38,740 AND I THINK MY MEDICATION IS WEARING OFF. 176 00:07:38,760 --> 00:07:40,630 COULD YOU FIND A DOCTOR? 177 00:07:40,670 --> 00:07:42,240 SURE. 178 00:07:47,440 --> 00:07:49,870 I WANT A FULL‐COURT PRESS ON THIS, ARTHUR. 179 00:07:49,910 --> 00:07:52,640 WHOEVER DID THIS, I WANT THE GUY. 180 00:07:52,680 --> 00:07:53,690 YEAH. 181 00:08:02,620 --> 00:08:04,250 COUNSELOR. 182 00:08:04,290 --> 00:08:06,350 AM I IN THE WAY? 183 00:08:06,390 --> 00:08:08,420 YEAH, BUT WE'LL LET IT SLIDE THIS TIME. 184 00:08:08,460 --> 00:08:09,930 THANKS. 185 00:08:09,960 --> 00:08:11,260 YOU NEED US? 186 00:08:11,300 --> 00:08:13,500 NO. I JUST CAME BY ON THAT PEDESTRIAN STRUCK, 187 00:08:13,530 --> 00:08:14,660 BUT SORENSON AND SIPOWICZ 188 00:08:14,700 --> 00:08:16,000 APPARENTLY HAVE IT ALL WORKED OUT. 189 00:08:16,030 --> 00:08:17,200 MUST BE BREAKING YOUR HEART, 190 00:08:17,240 --> 00:08:19,080 NOT HAVING TO DO SIX HOURS OF PAPERWORK. 191 00:08:19,100 --> 00:08:20,570 YEAH, I'LL TRY AND GET OVER IT. 192 00:08:20,610 --> 00:08:23,080 I'VE GOT TO GO TAKE A STATEMENT. 193 00:08:23,110 --> 00:08:24,420 UH, SAY, D., 194 00:08:24,440 --> 00:08:28,110 I'VE GOT THESE TWO TICKETS FOR TOMORROW, 195 00:08:28,150 --> 00:08:30,120 FOR THIS DOO‐WOP NIGHT 196 00:08:30,150 --> 00:08:31,510 THEY'RE HAVING AT THE CHANTICLEER, 197 00:08:31,550 --> 00:08:34,020 BUT KATIE'S DOING A PLAY AT SCHOOL. 198 00:08:34,050 --> 00:08:35,020 I‐I NOTICED YOU GOT 199 00:08:35,050 --> 00:08:36,850 SOME DOO‐WOP CDs IN YOUR TRUCK. 200 00:08:36,890 --> 00:08:38,520 YOU DID, HUH? 201 00:08:38,560 --> 00:08:42,100 GO AHEAD, TAKE 'EM. 202 00:08:42,130 --> 00:08:44,500 WELL, BACK TO WORK. 203 00:08:52,300 --> 00:08:53,640 SO, UH, AHEM ‐‐ 204 00:08:53,670 --> 00:08:55,440 SO, YOU LIKE DOO‐WOP? 205 00:08:55,470 --> 00:08:57,870 IF YOU'RE ASKING ME OUT, I DON'T THINK SO. 206 00:08:57,910 --> 00:08:59,110 OH, I'M NOT ASKING YOU OUT. 207 00:08:59,140 --> 00:09:01,280 I'D JUST HATE TO SEE THESE TICKETS GO TO WASTE. 208 00:09:01,310 --> 00:09:02,410 I DON'T THINK SO. 209 00:09:02,450 --> 00:09:03,490 WHY NOT? 210 00:09:03,510 --> 00:09:05,310 I MEAN, FOLKS IN HIGH‐STRESS JOBS LIKE OURS 211 00:09:05,350 --> 00:09:07,080 GOT TO RELAX SOMETIMES, AND I DON'T SEE 212 00:09:07,120 --> 00:09:09,150 WHAT YOU'D HAVE AGAINST ME AND YOU KICKING BACK. 213 00:09:09,190 --> 00:09:10,830 WELL, PROBABLY NOTHING, 214 00:09:10,860 --> 00:09:13,930 EXCEPT US INTERACTING SO CLOSE IN OUR JOBS, 215 00:09:13,960 --> 00:09:16,660 THE CHANCES OF SOMETHING AWKWARD HAPPENING 216 00:09:16,700 --> 00:09:19,270 IS GOOD REASON FOR US NOT KICKING BACK. 217 00:09:19,300 --> 00:09:21,710 SO, WHAT TIME SHOULD I PICK YOU UP? 218 00:09:23,970 --> 00:09:25,670 DIDN'T YOU HEAR WHAT I SAID? 219 00:09:25,700 --> 00:09:28,270 WELL, YOU SAID YOU'VE GOT NOTHING AGAINST GOING OUT. 220 00:09:28,310 --> 00:09:31,020 THERE'S JUST AS MUCH CHANCE WE'D HAVE A GOOD TIME. 221 00:09:33,480 --> 00:09:35,690 8:00. 222 00:09:35,710 --> 00:09:37,010 WEAR SOMETHING NICE. 223 00:09:37,050 --> 00:09:38,980 DON'T WORRY ABOUT ME. 224 00:09:51,630 --> 00:09:53,430 YOU GOT A MINUTE? 225 00:09:53,460 --> 00:09:55,430 SURE, PARTNER. 226 00:09:55,470 --> 00:09:57,940 HOW LONG YOU BEEN WORKING THAT ONE UP? 227 00:09:57,970 --> 00:09:59,000 WORKING WHAT UP? 228 00:09:59,040 --> 00:10:01,150 I HAD A COUPLE OF TICKETS I COULDN'T USE... 229 00:10:01,170 --> 00:10:02,640 GREG. 230 00:10:02,670 --> 00:10:04,770 I FIGURED YOU TWO COULD USE A LITTLE NUDGE. 231 00:10:04,810 --> 00:10:05,770 MM‐HMM. 232 00:10:05,810 --> 00:10:06,840 DID YOU ASK HER? 233 00:10:06,880 --> 00:10:09,580 THAT'S NONE OF YOUR BUSINESS. 234 00:10:17,720 --> 00:10:20,790 CRIME SCENE DUSTED FOR PRINTS? 235 00:10:20,830 --> 00:10:22,630 YEAH. NO PRINTS ON THE KNIFE. 236 00:10:22,660 --> 00:10:24,830 THE BUILDING HAS SECURITY CAMERAS AT THE ENTRANCES. 237 00:10:24,860 --> 00:10:27,060 WE GOT THE MANAGER ON HIS WAY IN NOW 238 00:10:27,100 --> 00:10:28,160 WITH VIDEOS. 239 00:10:28,200 --> 00:10:29,500 WE'LL ALSO CHECK THE 61s 240 00:10:29,530 --> 00:10:31,900 FOR ANY SIMILAR PATTERNS IN THE AREA. 241 00:10:31,940 --> 00:10:34,580 CAPTAIN BASS WANTS US TO KEEP HIM POSTED. 242 00:10:34,610 --> 00:10:36,580 BOSS, 243 00:10:36,610 --> 00:10:38,210 LET ME RUN SOMETHING PAST YOU. 244 00:10:38,240 --> 00:10:41,010 ABOUT 10 YEARS AGO, MRS. BASS WAS CAUGHT 245 00:10:41,050 --> 00:10:42,890 IN A FIRE WHERE SHE WAS WORKING. 246 00:10:42,910 --> 00:10:44,180 YEAH. I REMEMBER. 247 00:10:44,220 --> 00:10:45,420 I WAS IN UNIFORM. 248 00:10:45,450 --> 00:10:48,020 DEPARTMENT ASSIGNED ME TO NURSEMAID MRS. BASS. 249 00:10:48,050 --> 00:10:50,720 THERE WAS NEVER ANY EVIDENCE TO SUBSTANTIATE THIS, 250 00:10:50,760 --> 00:10:52,900 BUT ONE OF THE DETECTIVES ON THE CASE 251 00:10:52,920 --> 00:10:54,090 SAID THEY ALWAYS FELT 252 00:10:54,130 --> 00:10:56,100 SHE MIGHT HAVE SET THAT FIRE HERSELF. 253 00:10:56,130 --> 00:10:58,500 DIANE, YOU GOING WHERE I THINK YOU ARE WITH THIS? 254 00:10:58,530 --> 00:11:00,500 LET'S JUST WORK THE CASE, END OF STORY. 255 00:11:00,530 --> 00:11:01,630 RIGHT. 256 00:11:17,620 --> 00:11:20,030 THIS IS MY DAD BILL. 257 00:11:20,050 --> 00:11:21,520 BILL. 258 00:11:21,550 --> 00:11:22,750 RETIRED FROM THE JOB. 259 00:11:22,790 --> 00:11:24,260 DID ALL MY TIME IN BROOKLYN. 260 00:11:24,290 --> 00:11:26,860 GOOD TO MEET YOU. EXCUSE ME. 261 00:11:26,890 --> 00:11:28,460 SORRY TO HEAR ABOUT YOUR NEPHEW. 262 00:11:28,490 --> 00:11:30,760 HE WAS LIKE MY SON. 263 00:11:30,800 --> 00:11:32,770 UH, STEVE'S GIRLFRIEND MISTY. 264 00:11:32,800 --> 00:11:33,770 NICE TO MEET YOU. 265 00:11:33,800 --> 00:11:34,760 HI. 266 00:11:34,800 --> 00:11:36,430 SO, WHAT'S GOING ON? 267 00:11:36,470 --> 00:11:38,080 WE SMOOTHED IT OUT WITH THE DRIVER. 268 00:11:38,100 --> 00:11:39,470 HE WON'T BE PRESSING CHARGES. 269 00:11:39,500 --> 00:11:42,200 SO STEVE AND TEDDY CAN GO? YEAH. 270 00:11:42,240 --> 00:11:43,940 THANK YOU. 271 00:11:43,980 --> 00:11:46,050 Misty: YOU OKAY? 272 00:11:46,080 --> 00:11:47,050 YEAH. 273 00:11:47,080 --> 00:11:48,480 YOU'RE GOING HOME, GUYS. 274 00:11:48,510 --> 00:11:49,980 Andy: NOW, THIS WAS AN ACCIDENT. 275 00:11:50,010 --> 00:11:51,810 TERRY RAN RIGHT OUT IN FRONT OF THAT CAR. 276 00:11:51,850 --> 00:11:54,220 E.M.S., THEY SAID THEY SMELLED ALCOHOL ON TERRY. 277 00:11:54,250 --> 00:11:55,820 HAD YOU GUYS BEEN DRINKING? 278 00:11:55,850 --> 00:11:58,290 A LITTLE, YEAH. 279 00:11:58,320 --> 00:11:59,560 WELL, WE STRUCK THE SET 280 00:11:59,590 --> 00:12:00,820 OF THE SHOW WE WERE WORKING ON. 281 00:12:00,860 --> 00:12:01,990 WE WORKED ALL NIGHT. WE CELEBRATED A LITTLE. 282 00:12:02,030 --> 00:12:03,270 WAS TERRY DRUNK? 283 00:12:03,290 --> 00:12:04,760 I GUESS MAYBE HE WAS. 284 00:12:04,800 --> 00:12:07,270 EITHER WAY, THIS IS OVER WITH, RIGHT? 285 00:12:07,300 --> 00:12:09,600 THIS DRIVER, HE STEPPED UP IN A BIG WAY 286 00:12:09,630 --> 00:12:11,300 BY NOT BRINGING CHARGES. 287 00:12:11,340 --> 00:12:13,480 WOULD HE BE AMENABLE TO AN APOLOGY? 288 00:12:13,500 --> 00:12:14,870 YOU HEARD ME. 289 00:12:16,040 --> 00:12:19,170 I'LL GO SEE. 290 00:12:22,210 --> 00:12:24,510 IF EITHER OF YOU TWO SEE HIM ON THE STREET 291 00:12:24,550 --> 00:12:26,010 AND EVEN LOOK FUNNY AT HIM, 292 00:12:26,050 --> 00:12:27,680 WE'RE LOCKING YOU UP. 293 00:12:27,720 --> 00:12:30,720 I GOT IT. 294 00:12:42,570 --> 00:12:43,880 I LOST MY BROTHER, 295 00:12:43,900 --> 00:12:46,370 AND I LOST MY HEAD, AND I'M SORRY. 296 00:12:46,400 --> 00:12:49,270 IT WAS AN ACCIDENT... 297 00:12:49,310 --> 00:12:50,520 OKAY. 298 00:12:50,540 --> 00:12:53,810 AND I'M SORRY YOU LOST YOUR BROTHER. 299 00:12:58,480 --> 00:12:59,880 Andy: ALL RIGHT. 300 00:12:59,920 --> 00:13:02,050 COME ON. I'LL GET YOU HOME. 301 00:13:10,230 --> 00:13:12,190 THANKS. 302 00:13:12,230 --> 00:13:13,830 SURE. 303 00:13:13,870 --> 00:13:17,110 AND, UH, TELL LIEUTENANT FANCY THANKS. 304 00:13:22,370 --> 00:13:24,510 [ KNOCK ON DOOR ] 305 00:13:24,540 --> 00:13:25,840 CAPTAIN. 306 00:13:25,880 --> 00:13:28,050 HOW'S YOUR WIFE DOING? 307 00:13:28,080 --> 00:13:30,080 SHE'S IN A PANIC. SHE CAN'T SLEEP. 308 00:13:30,110 --> 00:13:32,310 THEY HAD TO KNOCK HER OUT WITH DRUGS. 309 00:13:32,350 --> 00:13:34,320 SHE SAYS SHE'S NEVER GOING BACK TO WORK 310 00:13:34,350 --> 00:13:35,920 AS LONG AS THAT MANIAC'S OUT THERE. 311 00:13:35,950 --> 00:13:37,650 SO SHE'S STILL IN THE HOSPITAL? 312 00:13:37,690 --> 00:13:39,190 YEAH, THEY'RE KEEPING HER OVERNIGHT. 313 00:13:39,220 --> 00:13:40,420 WHERE ARE WE WITH THIS CASE? 314 00:13:40,460 --> 00:13:41,760 MEDAVOY AND JONES ARE WAITING 315 00:13:41,790 --> 00:13:43,260 FOR THE MANAGER OF THE ANTIQUE MART 316 00:13:43,290 --> 00:13:45,230 TO LOOK THROUGH SECURITY TAPES. 317 00:13:45,260 --> 00:13:46,660 LET THEM WORK THROUGH THE NIGHT. 318 00:13:46,700 --> 00:13:47,930 I'M AUTHORIZING ANY OVERTIME. 319 00:13:47,970 --> 00:13:49,440 YOU NEED ANY HELP FROM OTHER UNITS, 320 00:13:49,470 --> 00:13:51,280 I'LL TALK TO THE CHIEF OF DETECTIVES MYSELF. 321 00:13:51,300 --> 00:13:52,400 I THINK WE CAN HANDLE IT. 322 00:13:52,440 --> 00:13:53,610 NO, I'M NOT SAYING ANY DIFFERENT. 323 00:13:53,640 --> 00:13:56,070 I'M JUST SAYING, DO WHAT YOU HAVE TO. 324 00:13:56,110 --> 00:13:57,250 YEAH. I UNDERSTAND. 325 00:13:57,280 --> 00:13:58,580 GOOD. 326 00:13:58,610 --> 00:14:01,210 ANY DEVELOPMENTS, I WANT TO BE KEPT UP TO SPEED. 327 00:14:01,250 --> 00:14:02,290 ABSOLUTELY. 328 00:14:13,260 --> 00:14:14,370 JOHN BIZETTI. 329 00:14:14,390 --> 00:14:16,630 I RUN THE PAST TIMES ANTIQUE MART. 330 00:14:16,660 --> 00:14:17,890 MR. BIZETTI, 331 00:14:17,930 --> 00:14:19,390 HAVEN'T I SEEN YOU ON "THE ANTIQUE TREASURE HUNT" 332 00:14:19,430 --> 00:14:20,560 APPRAISING OLD TOYS? 333 00:14:20,600 --> 00:14:21,730 8:00 P. M. SUNDAYS. 334 00:14:21,770 --> 00:14:22,910 I NEVER MISS IT. 335 00:14:22,930 --> 00:14:24,200 I'VE GOT SOME PIECES I WOULD LOVE 336 00:14:24,240 --> 00:14:25,640 TO HAVE SOMEONE TAKE A LOOK AT SOMETIME. 337 00:14:25,670 --> 00:14:27,100 NOT THIS HIPPO? 338 00:14:27,140 --> 00:14:30,110 NO, I'VE GOT SOME LEAD SOLDIERS 339 00:14:30,140 --> 00:14:32,640 AND ONE OF THOSE OLD TEDDY BEARS STUFFED WITH STRAW. 340 00:14:32,680 --> 00:14:33,990 HERE'S MY CARD. 341 00:14:35,980 --> 00:14:37,080 CALL ME. 342 00:14:37,120 --> 00:14:39,060 I'M HERE TO SEE DETECTIVE JONES. 343 00:14:39,080 --> 00:14:40,950 UH, DETECTIVE JONES. 344 00:14:42,820 --> 00:14:45,320 JOHN BIZETTI FROM THE ANTIQUE MART. 345 00:14:45,360 --> 00:14:46,670 THESE ARE FOR YOU. 346 00:14:46,690 --> 00:14:48,160 OKAY. 347 00:14:48,190 --> 00:14:50,830 MY PARTNER DETECTIVE MEDAVOY. 348 00:14:50,860 --> 00:14:52,990 HOW ABOUT WE GO IN HERE? 349 00:14:59,140 --> 00:15:01,180 HOW'S SHE DOING ‐‐ MRS. BASS? 350 00:15:01,210 --> 00:15:03,780 SHE'S, UH, STABLE FOR THE MOMENT. 351 00:15:03,810 --> 00:15:06,680 I DID CONSIDER SHUTTING DOWN FOR THE REST OF THE DAY, 352 00:15:06,710 --> 00:15:08,610 BUT THERE'S A FLOCK OF BUYERS IN TOWN 353 00:15:08,650 --> 00:15:10,920 FOR THE AMERICAN FURNITURE SHOW AT THE ARMORY. 354 00:15:10,950 --> 00:15:12,510 WELL, WERE YOU AROUND THIS MORNING 355 00:15:12,550 --> 00:15:14,020 WHEN MRS. BASS GOT ATTACKED? 356 00:15:14,050 --> 00:15:15,850 NO. LAST NIGHT I STAYED OVER 357 00:15:15,890 --> 00:15:17,830 VISITING MY SISTER IN ASTORIA. 358 00:15:17,860 --> 00:15:19,500 BESIDES SECURITY AND THE JANITORS, 359 00:15:19,520 --> 00:15:21,320 WHO ELSE YOU GOT WORKING IN THE BUILDING? 360 00:15:21,360 --> 00:15:23,660 WE HAVE OUR OWN MEN HANDLING STOCK AND DELIVERIES. 361 00:15:23,700 --> 00:15:25,540 I BROUGHT A LIST OF NAMES AND ADDRESSES. 362 00:15:25,560 --> 00:15:27,030 SELLING CUPS AND PLATES, 363 00:15:27,070 --> 00:15:29,540 YOU WOULDN'T THINK MRS. BASS WOULD BE 364 00:15:29,570 --> 00:15:31,430 A PRIME TARGET FOR THIEVES. 365 00:15:31,470 --> 00:15:32,670 MRS. BASS DEALS 366 00:15:32,700 --> 00:15:35,600 IN 19th CENTURY BLACK LABEL BELLEEK CHINA 367 00:15:35,640 --> 00:15:36,970 FROM NORTHERN IRELAND. 368 00:15:37,010 --> 00:15:39,140 YOUR AVERAGE THIEF MIGHT NOT KNOW 369 00:15:39,180 --> 00:15:40,620 THERE ISN'T MUCH DEMAND. 370 00:15:40,650 --> 00:15:43,520 I JUST MEANT IT WASN'T SOMETHING YOU COULD PAWN EASY, 371 00:15:43,550 --> 00:15:44,550 LIKE JEWELRY. 372 00:15:44,580 --> 00:15:47,980 THIS IS THE FILE WE KEEP ON SHOPLIFTERS, 373 00:15:48,020 --> 00:15:51,050 THOSE WHO AREN'T OTHER ANTIQUE DEALERS. 374 00:15:52,390 --> 00:15:53,690 I TAKE A PHOTO, 375 00:15:53,730 --> 00:15:56,870 GET WHATEVER PERSONAL INFORMATION I CAN. 376 00:15:56,900 --> 00:15:58,740 I THEN HAVE THEM SIGN A FORM SAYING 377 00:15:58,760 --> 00:16:00,730 IF THEY'RE FOUND ON THE PREMISES AGAIN, 378 00:16:00,770 --> 00:16:03,680 THEY WILL BE CHARGED WITH CRIMINAL TRESPASS. 379 00:16:03,700 --> 00:16:06,330 THAT'S VERY ORGANIZED. 380 00:16:06,370 --> 00:16:07,400 THANK YOU. 381 00:16:07,440 --> 00:16:09,000 IN THE YELLOW BAG YOU'LL FIND 382 00:16:09,040 --> 00:16:10,640 TAPES FROM OUR SECURITY CAMERAS 383 00:16:10,680 --> 00:16:12,220 COVERING THE PAST THREE WEEKS, 384 00:16:12,240 --> 00:16:15,180 DATED AND COLOR‐CODED BY FRONT OR REAR ENTRANCE. 385 00:16:15,210 --> 00:16:17,250 IF YOU CAN HELP US WITH THAT COLOR CODING, 386 00:16:17,280 --> 00:16:19,510 WE SHOULD START WITH THE ONES FROM YESTERDAY. 387 00:16:23,390 --> 00:16:25,260 I GOT TO TAKE THEO TO THE DOCTOR. 388 00:16:25,290 --> 00:16:26,590 NOTHING'S WRONG? 389 00:16:26,630 --> 00:16:28,670 NO. IT'S JUST HIS CHECKUP, 390 00:16:28,690 --> 00:16:31,690 BUT HE FEELS BETTER IF I'M THERE WITH HIM. 391 00:16:31,730 --> 00:16:33,490 LOST TIME, JOHN. 392 00:16:33,530 --> 00:16:36,260 SURE. WHAT TIME DO YOU NEED ME TONIGHT FOR THEO? 393 00:16:36,300 --> 00:16:39,670 UH, LET'S SAY 6:00. 394 00:16:39,700 --> 00:16:43,070 LOOK, JOHN, YOU GOING TO BABYSIT THEO 395 00:16:43,110 --> 00:16:45,520 ON ANY REGULAR‐TYPE BASIS, YOU'RE GOING TO GET PAID, 396 00:16:45,540 --> 00:16:48,240 AND I WON'T HEAR ANOTHER WORD. 397 00:16:48,280 --> 00:16:50,280 SEE YOU AT 6:00. 398 00:17:04,060 --> 00:17:05,760 I WAS WONDERING, 399 00:17:05,800 --> 00:17:08,540 WOULD YOU LIKE TO GRAB A COCKTAIL LATER? 400 00:17:08,570 --> 00:17:11,940 MAYBE YOU COULD BRING THAT LEAD SOLDIER. 401 00:17:11,970 --> 00:17:15,270 I'D LOVE TO, BUT I HAVE ANOTHER ENGAGEMENT. 402 00:17:15,310 --> 00:17:17,550 WELL, IS IT SERIOUS? 403 00:17:17,580 --> 00:17:18,720 NO, I'M JUST BABYSITTING. 404 00:17:18,740 --> 00:17:21,940 HOW AWFULLY DOMESTIC. YOU'VE GOT MY CARD. 405 00:17:24,850 --> 00:17:28,980 HEY, DIANE, YOU GOT A MINUTE FOR ME? 406 00:17:29,020 --> 00:17:30,290 SURE. 407 00:17:37,430 --> 00:17:40,600 I'M, UH, I'M GLAD YOU'RE BACK TO FULL DUTY. 408 00:17:40,630 --> 00:17:41,730 YEAH. THANKS. 409 00:17:41,770 --> 00:17:43,680 YOU KNOW, BEING OFF AND GETTING BACK ON 410 00:17:43,700 --> 00:17:45,670 HAS GIVEN ME SOME TIME TO CLEAR MY HEAD. 411 00:17:45,700 --> 00:17:47,600 MAYBE THAT'S A SILVER LINING. 412 00:17:47,640 --> 00:17:49,610 DIANE, I KNOW I'VE BEHAVED BAD TOWARD YOU, 413 00:17:49,640 --> 00:17:51,270 AND YOU DIDN'T DESERVE THAT. 414 00:17:51,310 --> 00:17:55,110 DANNY, NEITHER ONE OF US BEHAVED ANY WAY TO BE PROUD OF. 415 00:17:55,150 --> 00:17:58,020 I JUST HOPE WE CAN STILL BE FRIENDS. 416 00:17:58,050 --> 00:18:00,520 I'M NOT GOING TO KEEP ON MOPING AROUND HERE 417 00:18:00,550 --> 00:18:01,950 LIKE I'M SOME SICK PUPPY. 418 00:18:01,990 --> 00:18:03,800 IF I CAN'T COME THROUGH WITH MY PART 419 00:18:03,820 --> 00:18:05,120 LIKE I'M A MATURE ADULT, 420 00:18:05,160 --> 00:18:07,370 AND IT KEEPS ON MAKING YOU UNCOMFORTABLE 421 00:18:07,390 --> 00:18:08,420 LIKE IT HAS BEEN, 422 00:18:08,460 --> 00:18:10,360 THEN IT'S ON ME TO BE THE ONE TO LEAVE. 423 00:18:10,390 --> 00:18:12,830 NO ONE WANTS YOU LEAVING HERE. 424 00:18:12,860 --> 00:18:14,930 I'M NOT SAYING IT'S WHAT YOU WANT. 425 00:18:14,970 --> 00:18:17,280 I'M SAYING IT'S MY PROBLEM TO DEAL WITH. 426 00:18:17,300 --> 00:18:19,430 OKAY. 427 00:18:19,470 --> 00:18:21,470 THANKS. 428 00:18:29,580 --> 00:18:33,110 ARE YOU SURE THIS DOESN'T BOTHER YOU? 429 00:18:33,150 --> 00:18:35,750 NOT AT ALL. 430 00:18:39,220 --> 00:18:42,960 I MADE THAT VASE A COUPLE OF MONTHS AGO. 431 00:18:42,990 --> 00:18:44,290 YEAH? 432 00:18:44,330 --> 00:18:47,130 IT'S NICE. HOBBY? 433 00:18:47,170 --> 00:18:48,870 NO. I TOOK A CLASS. 434 00:18:48,900 --> 00:18:53,230 I, UH, I BEEN THINKING ABOUT DOING THAT MYSELF, 435 00:18:53,270 --> 00:18:58,210 LEARN ITALIAN OR SOMETHING. 436 00:18:58,240 --> 00:18:59,370 I'VE BEEN SAYING THAT 437 00:18:59,410 --> 00:19:01,210 FOR A COUPLE OF DECADES, THOUGH. 438 00:19:01,250 --> 00:19:03,090 I'D BEEN SAYING IT FOR 16 YEARS. 439 00:19:03,110 --> 00:19:05,250 THAT'S WHEN I MOVED MY MOTHER IN WITH ME. 440 00:19:05,280 --> 00:19:06,550 SHE WAS SICK. 441 00:19:06,590 --> 00:19:07,860 YEAH. I REMEMBER 442 00:19:07,890 --> 00:19:10,100 EDDIE MENTIONED SOMETHING ABOUT THAT. 443 00:19:10,120 --> 00:19:13,920 M.S. SHE DIED TWO YEARS AGO THIS JULY. 444 00:19:13,960 --> 00:19:15,760 THAT'S HARD. 445 00:19:15,790 --> 00:19:17,190 I STRUGGLED A LITTLE BIT, 446 00:19:17,230 --> 00:19:19,090 WHETHER OR NOT TO PUT HER IN A HOME. 447 00:19:19,130 --> 00:19:21,230 I DON'T REGRET IT 448 00:19:21,270 --> 00:19:22,410 AT ALL. 449 00:19:22,430 --> 00:19:24,730 SAYS A LOT ABOUT YOU, CYNTHIA. 450 00:19:24,770 --> 00:19:26,200 THE ONLY THING WAS, 451 00:19:26,240 --> 00:19:28,580 I‐I MISSED OUT ON OTHER THINGS. 452 00:19:28,610 --> 00:19:29,550 YEAH, SURE. 453 00:19:29,570 --> 00:19:31,870 AND THEN, WHEN SHE WAS GONE, 454 00:19:31,910 --> 00:19:33,880 I REALIZED THAT DEFINITELY IT WAS TIME 455 00:19:33,910 --> 00:19:37,410 TO DO THE THINGS I COULDN'T BEFORE, 456 00:19:37,450 --> 00:19:40,450 LIKE TAKE A POTTERY CLASS 457 00:19:40,480 --> 00:19:41,780 OR LEARN HOW TO TANGO. 458 00:19:41,820 --> 00:19:44,790 TANGO, HUH? HOW'D THAT GO? 459 00:19:44,820 --> 00:19:46,120 UH, 460 00:19:46,160 --> 00:19:48,530 CLUMSILY, 461 00:19:48,560 --> 00:19:50,590 BUT I TRIED IT. 462 00:19:50,630 --> 00:19:53,030 YOU'VE GOT TO WATCH OUT FOR THEM TANGO INSTRUCTORS. 463 00:19:53,060 --> 00:19:54,460 LOW‐RENT LOTHARIOS, MOSTLY. 464 00:19:54,500 --> 00:19:56,930 I HAD A CASE ONE TIME, THIS GUY, UH, 465 00:19:56,970 --> 00:19:59,900 DAVID, HE WAS MILKING THIS 60‐YEAR‐OLD WIDOW 466 00:19:59,940 --> 00:20:01,900 FOR 30 GRAND. 467 00:20:01,940 --> 00:20:06,980 I USED TO CALL HIM DAVE, JUST TO PISS HIM OFF. 468 00:20:08,510 --> 00:20:13,410 SO, ANYWAY, THAT'S MY NEW THING. 469 00:20:13,450 --> 00:20:14,580 I DON'T LOOK BACK 470 00:20:14,620 --> 00:20:17,120 AND THINK ABOUT WHAT I COULD HAVE DONE, 471 00:20:17,160 --> 00:20:18,600 AND I DON'T PUT IT OFF. 472 00:20:18,620 --> 00:20:21,290 I REALLY WANT TO LIVE NOW. 473 00:20:21,330 --> 00:20:24,100 SO WHAT'S NEXT ON YOUR LIST ‐‐ 474 00:20:24,130 --> 00:20:25,530 BUNGEE JUMPING? 475 00:20:37,480 --> 00:20:40,290 YOU'RE NEXT ON MY LIST, ANDY, 476 00:20:40,310 --> 00:20:43,610 BUT I JUST RAN OUT OF NERVES, 477 00:20:43,650 --> 00:20:44,850 SO, IF YOU WANT THIS, 478 00:20:44,880 --> 00:20:47,480 YOU'RE GOING TO HAVE TO MAKE THE NEXT ‐‐ 479 00:21:29,730 --> 00:21:32,030 CALL US OUT AT 7:00 IN THE MORNING 480 00:21:32,060 --> 00:21:33,160 FOR A BAR BRAWL? 481 00:21:33,200 --> 00:21:34,370 BAR BRAWL FEATURING THE BROTHER 482 00:21:34,400 --> 00:21:36,330 OF THE GUY GOT KILLED IN THE STRUCK PEDESTRIAN 483 00:21:36,370 --> 00:21:37,680 YOU CAUGHT YESTERDAY. 484 00:21:37,700 --> 00:21:39,970 Danny: THAT'S STEVE RIORDAN, SUMANSKI'S COUSIN? 485 00:21:40,000 --> 00:21:42,670 NO, THAT'S BILLY SPRAUL, WHO LOST A FIGHT TO RIORDAN, 486 00:21:42,710 --> 00:21:44,350 ALTHOUGH IT WASN'T MUCH OF A FIGHT, I GUESS. 487 00:21:44,380 --> 00:21:46,720 I GOT WITNESSES SAYING IT WAS OVER INSIDE 15 SECONDS. 488 00:21:46,750 --> 00:21:48,720 WHERE'S RIORDAN NOW? 489 00:21:48,750 --> 00:21:50,720 NOT HERE. 490 00:21:50,750 --> 00:21:52,680 GROWING A MUSTACHE, HUH? 491 00:21:52,720 --> 00:21:54,860 LITTLE BROTHER TELLS ME 492 00:21:54,890 --> 00:21:56,530 IT'S GOING GOOD WITH YOU AND MY NIECE. 493 00:21:56,560 --> 00:21:58,200 WE'VE HAD SOME NICE DINNERS. 494 00:21:58,220 --> 00:22:00,360 JUST WANTED TO GET THIS OUT OF THE WAY UP FRONT. 495 00:22:00,390 --> 00:22:01,690 WHEN YOU TWO GET HITCHED, 496 00:22:01,730 --> 00:22:03,100 YOU CAN CALL ME UNCLE EDDIE. 497 00:22:04,730 --> 00:22:07,600 MESSIN' WITH YOU. 498 00:22:07,630 --> 00:22:10,400 HA HA. 499 00:22:10,430 --> 00:22:12,700 SHANE CHAMBERS. THIS IS HIS JOINT. 500 00:22:12,740 --> 00:22:14,550 YOU KNOW STEVE RIORDAN? 501 00:22:14,570 --> 00:22:15,540 KIND OF. 502 00:22:15,570 --> 00:22:16,910 HOW ABOUT THIS BILLY SPRAUL? 503 00:22:16,940 --> 00:22:18,340 YEAH, A LITTLE BIT. 504 00:22:18,380 --> 00:22:20,220 HIM AND RIORDAN HAVE ANY HISTORY? 505 00:22:20,240 --> 00:22:21,880 MAYBE. THEY KNEW EACH OTHER. 506 00:22:21,910 --> 00:22:23,340 YOU SEE HOW THE FIGHT STARTED? 507 00:22:23,380 --> 00:22:26,180 DIDN'T. YOU GOT ANY IDEA WHAT THAT WAS ABOUT? 508 00:22:26,220 --> 00:22:27,460 NOPE. 509 00:22:27,490 --> 00:22:29,860 YOU TRY STOPPING THEM? 510 00:22:29,890 --> 00:22:31,350 THEY TOOK IT OUTSIDE. 511 00:22:31,390 --> 00:22:33,760 THESE IRISH BARTENDERS, YOU CAN'T SHUT 'EM UP. 512 00:22:33,790 --> 00:22:34,920 CAN I GO NOW? 513 00:22:34,960 --> 00:22:36,090 NO. GO WAIT INSIDE. 514 00:22:36,130 --> 00:22:38,140 ALL RIGHT, LOOK FOR RIORDAN, 515 00:22:38,160 --> 00:22:40,800 AND IF HE'S IN THE WIND, CALL SUMANSKI. 516 00:22:40,830 --> 00:22:42,560 SUMANSKI'S GETTING CALLED NO MATTER WHAT. 517 00:22:42,600 --> 00:22:44,570 I'LL TRY TO REACH RIORDAN. 518 00:22:44,600 --> 00:22:45,730 HEY, ANDY, 519 00:22:45,770 --> 00:22:46,740 ALL KIDDING ASIDE, 520 00:22:46,770 --> 00:22:48,400 I HOPE IT WORKS OUT FOR YOU TWO. 521 00:22:48,440 --> 00:22:50,310 GIBSON, WE JUST BEEN HAVING DINNERS. 522 00:22:50,340 --> 00:22:52,370 DON'T BE GETTING YOUR TUX PRESSED OR NOTHING. 523 00:22:52,410 --> 00:22:54,110 ABSOLUTELY, BUT SO AS YOU KNOW, 524 00:22:54,150 --> 00:22:55,590 CYNTHIA REALLY LIKES YOU. 525 00:22:55,610 --> 00:22:57,080 YEAH, AND I LIKE HER, TOO. 526 00:22:57,120 --> 00:22:58,720 SHE'S AT THAT AGE, RIGHT? 527 00:22:58,750 --> 00:23:00,920 SO IF YOU'RE JUST LOOKING TO, YOU KNOW, 528 00:23:00,950 --> 00:23:02,420 HAVE A LITTLE GRAB‐ASS, 529 00:23:02,450 --> 00:23:04,320 MAYBE YOU'LL SAVE HER SOME TIME, 530 00:23:04,360 --> 00:23:07,300 BUT, HEY, I'M NOT TRYING TO GET IN YOUR BUSINESS HERE. 531 00:23:07,330 --> 00:23:09,130 GOD BLESS. HOPE IT WORKS OUT. 532 00:23:20,140 --> 00:23:21,840 I NEED TO TALK TO YOU GUYS. 533 00:23:21,870 --> 00:23:23,940 YEAH? WE BEEN NEEDING TO TALK TO YOU, TOO. 534 00:23:23,980 --> 00:23:25,680 MY COUSIN STEVE GOT IN A FIGHT. 535 00:23:25,710 --> 00:23:27,340 YOU DIDN'T GET NONE OF THE MESSAGES WE LEFT YOU? 536 00:23:27,380 --> 00:23:29,180 I'VE BEEN UP SINCE 5:00 A. M. 537 00:23:29,210 --> 00:23:32,610 DEALING WITH STEVE. 538 00:23:35,720 --> 00:23:36,850 WHERE IS HE NOW? 539 00:23:36,890 --> 00:23:38,690 I'VE GOT HIM AT A HOTEL. 540 00:23:38,720 --> 00:23:40,090 HE'S SCARED OUT OF HIS WITS 541 00:23:40,120 --> 00:23:42,360 THINKING THE FIGHT HE WAS IN, THE GUY MIGHT HAVE DIED. 542 00:23:42,390 --> 00:23:44,290 HE DID. 543 00:23:44,330 --> 00:23:46,260 YEAH, I JUST FOUND THAT OUT WHEN I WALKED IN. 544 00:23:46,300 --> 00:23:47,970 STEVIE ONLY THREW A COUPLE OF PUNCHES, 545 00:23:48,000 --> 00:23:49,200 TOTAL FREAK ACCIDENT. 546 00:23:49,230 --> 00:23:51,170 IF IT'S AN ACCIDENT, THEN WHY AIN'T HE HERE? 547 00:23:51,200 --> 00:23:52,330 I'M LETTING HIM SOBER UP 548 00:23:52,370 --> 00:23:54,170 WHILE I FEEL IT OUT WITH YOU GUYS. 549 00:23:54,210 --> 00:23:55,380 WERE YOU THERE? 550 00:23:55,410 --> 00:23:57,050 NO. I WAS AT THE TOWN LOUNGE WITH ALL OF THEM, 551 00:23:57,080 --> 00:23:58,720 BUT I BAILED BEFORE THEY WENT TO O'LEARY'S. 552 00:23:58,740 --> 00:24:00,040 BUT STEVIE'S SAYING ‐‐ 553 00:24:00,080 --> 00:24:01,840 WE DON'T WANT TO HEAR STEVIE'S VERSION FROM YOU. 554 00:24:01,880 --> 00:24:04,010 YOU'VE GOT AN HOUR TO PRODUCE YOUR COUSIN, 555 00:24:04,050 --> 00:24:06,650 OR YOU'LL BE OBSTRUCTING AN INVESTIGATION. 556 00:24:08,690 --> 00:24:10,860 DO I NEED TO GET HIM A LAWYER? 557 00:24:10,890 --> 00:24:11,850 YOU TELL US. 558 00:24:11,890 --> 00:24:13,490 THIS WAS AN ACCIDENT. 559 00:24:13,520 --> 00:24:17,530 THEN GO GET YOUR COUSIN AND WE'LL WORK IT OUT. 560 00:24:17,560 --> 00:24:20,160 Y'ALL KNOW HOW TO RUIN A MAN'S MORNING. 561 00:24:20,200 --> 00:24:21,700 DON'T WORRY. YOU'LL BE GETTING 562 00:24:21,730 --> 00:24:23,530 A FORMAL LETTER OF APOLOGY IN THE MAIL. 563 00:24:23,570 --> 00:24:26,230 I WAS GOING TO GET ME SOME BREAKFAST IN BED. 564 00:24:26,270 --> 00:24:28,570 SO, WHERE WERE YOU YESTERDAY MORNING, JESSE, 565 00:24:28,610 --> 00:24:29,880 SAY, 9:30? 566 00:24:29,910 --> 00:24:31,040 IN BED 567 00:24:31,080 --> 00:24:33,820 WITH MY OTHER MAIN GIRLFRIEND SHAUNA. 568 00:24:33,850 --> 00:24:36,190 "OTHER MAIN GIRLFRIEND"? OOH, MY MAN HERE. 569 00:24:36,210 --> 00:24:38,510 SO, UH, SHAUNA'S PREPARED TO TELL US 570 00:24:38,550 --> 00:24:40,180 THAT YOU WERE WITH HER? 571 00:24:40,220 --> 00:24:41,180 SURE. 572 00:24:41,220 --> 00:24:42,480 SO, I GUESS WHERE YOU WEREN'T 573 00:24:42,520 --> 00:24:43,820 WAS THE PAST TIMES ANTIQUE MART. 574 00:24:43,860 --> 00:24:45,200 ANTIQUES! DO I LOOK 575 00:24:45,220 --> 00:24:47,390 LIKE I'M INTO ANTIQUES TO YOU? 576 00:24:47,430 --> 00:24:49,070 WELL, WE'VE GOT YOU ON VIDEOTAPE 577 00:24:49,090 --> 00:24:51,360 GOING INTO THE PLACE YESTERDAY MORNING AT 9:05. 578 00:24:51,400 --> 00:24:53,370 OH, PAST TIMES. 579 00:24:53,400 --> 00:24:55,040 I JUST KNOW IT AS PAST TIMES, 580 00:24:55,070 --> 00:24:57,340 THE KNICKKNACK PLACE. ANTIQUE PART KIND OF ‐‐ 581 00:24:57,370 --> 00:24:58,700 KIND OF CONFUSED ME. 582 00:24:58,740 --> 00:25:01,280 YOU ALL RIGHT? YOU NEED A MINUTE? 583 00:25:01,310 --> 00:25:03,450 YEAH, I WAS THERE BROWSING. 584 00:25:03,470 --> 00:25:06,410 SO, UH, WHAT ABOUT THIS, UH, 585 00:25:06,440 --> 00:25:08,740 PIECE OF PAPER BANNING YOU FROM THE PLACE 586 00:25:08,780 --> 00:25:10,180 THAT YOU SIGNED THREE WEEKS AGO 587 00:25:10,210 --> 00:25:11,680 WHEN THEY THREW YOU OUT FOR STEALING WALLETS? 588 00:25:11,720 --> 00:25:13,690 DIDN'T DO MUCH GOOD, NOW, DID IT? 589 00:25:13,720 --> 00:25:15,580 JESSE, IT'S BETTER YOU TELL US WHY YOU WERE THERE, 590 00:25:15,620 --> 00:25:16,690 'CAUSE IF YOU DON'T, 591 00:25:16,720 --> 00:25:18,450 WE'VE GOT OUR OWN STORY EXPLAINING IT. 592 00:25:18,490 --> 00:25:20,220 YEAH, AND WHAT WOULD THAT BE? 593 00:25:20,260 --> 00:25:21,390 YOU WERE ATTACKING A LADY IN HER SHOP, 594 00:25:21,430 --> 00:25:23,870 ROBBING HER AND STABBING HER. 595 00:25:23,900 --> 00:25:25,700 WHEW. ALL RIGHT, WELL, THEN, 596 00:25:25,730 --> 00:25:28,200 I'LL TELL YOU WHY I WAS THERE, ALL RIGHT? 597 00:25:28,230 --> 00:25:31,030 THE ANTIQUE MART FOLKS GET IN THERE EARLY, 598 00:25:31,070 --> 00:25:33,300 TOSS DOWN THEIR PURSES, GO HIT THE RESTROOMS 599 00:25:33,340 --> 00:25:35,380 THINKING NO ONE'S THERE BUT THEMSELVES. 600 00:25:35,410 --> 00:25:37,380 SO YOU WERE THERE YESTERDAY GRABBING UP WALLETS? 601 00:25:37,410 --> 00:25:42,040 ONE WALLET OFF THAT OLD LADY WITH THE AUTOGRAPH SHOP, 602 00:25:42,080 --> 00:25:43,550 BUT HOLD UP. 603 00:25:43,580 --> 00:25:45,080 WAS THERE REALLY A LADY STABBED, 604 00:25:45,120 --> 00:25:46,660 OR DID I JUST GET WORKED INTO ADMITTING 605 00:25:46,690 --> 00:25:47,830 I STOLE A WALLET? 606 00:25:47,850 --> 00:25:49,890 YEAH, SHE GOT STABBED, AND WHEN SHE COMES IN, 607 00:25:49,920 --> 00:25:51,750 ARE YOU WILLING TO STAND IN THE LINEUP? 608 00:25:51,790 --> 00:25:53,620 HELL, YEAH. WHATEVER I CAN DO 609 00:25:53,660 --> 00:25:56,560 TO HELP YOU GUYS LOOK THE OTHER WAY ON THAT WALLET. 610 00:25:56,600 --> 00:25:57,800 WHERE'S THIS WALLET NOW? 611 00:25:57,830 --> 00:25:58,830 I STUFFED IT 612 00:25:58,860 --> 00:26:01,300 BEHIND THE THIRD‐FLOOR RADIATOR, 613 00:26:01,330 --> 00:26:03,830 MINUS SOME CASH AND A CREDIT CARD 614 00:26:03,870 --> 00:26:05,830 THAT MAYBE GOT USED ONCE. 615 00:26:05,870 --> 00:26:09,000 HAD THESE GUYS WORK LATE LAST NIGHT. 616 00:26:09,040 --> 00:26:11,170 THEY GOT BACK ON IT EARLY THIS MORNING. 617 00:26:11,210 --> 00:26:13,170 I APPRECIATE THAT. 618 00:26:13,210 --> 00:26:14,310 WE BROUGHT IN ONE SUSPECT 619 00:26:14,350 --> 00:26:15,690 OFF THE SECURITY TAPE, 620 00:26:15,710 --> 00:26:17,350 BUT IT DOESN'T LOOK LIKE HE'S THE GUY. 621 00:26:17,380 --> 00:26:19,680 WE ALSO GOT AN EX‐EMPLOYEE ON TAPE, 622 00:26:19,720 --> 00:26:21,450 RIGHT TIME FRAME. GOT FIRED TWO WEEKS AGO 623 00:26:21,490 --> 00:26:23,360 FOR STEALING A JADE STATUE FROM THE STOCKROOM. 624 00:26:23,390 --> 00:26:26,160 BUILDING MANAGER SAID HE GOT REAL ANGRY, 625 00:26:26,190 --> 00:26:28,090 MENTIONED SOMETHING ABOUT PAYBACK BEING A BITCH. 626 00:26:28,130 --> 00:26:29,640 AND THIS GUY WASN'T HOME LAST NIGHT, 627 00:26:29,660 --> 00:26:31,660 SO WE'RE GOING TO GO LOOK FOR HIM NOW. 628 00:26:31,700 --> 00:26:33,710 ALL RIGHT. GO AHEAD AND DO THAT. 629 00:26:36,970 --> 00:26:38,930 YOU'RE DOING EVERYTHING YOU CAN? 630 00:26:38,970 --> 00:26:40,470 ABSOLUTELY. 631 00:26:40,500 --> 00:26:41,800 'CAUSE I GOT ENOUGH ON MY MIND ALREADY. 632 00:26:41,840 --> 00:26:43,140 I GOT IT COVERED. 633 00:26:43,170 --> 00:26:44,840 WHY DON'T YOU GO BE WITH YOUR WIFE? 634 00:26:44,880 --> 00:26:46,820 NO, I JUST ‐‐ 635 00:26:46,850 --> 00:26:49,490 I JUST CAN'T SIT THERE, 636 00:26:49,510 --> 00:26:52,980 NOT WHILE HER ATTACKER'S STILL OUT RUNNING AROUND. 637 00:27:00,220 --> 00:27:02,120 IT'S GOING TO BE ALL RIGHT. 638 00:27:02,160 --> 00:27:03,690 YOU CAN TRUST THESE GUYS. 639 00:27:03,730 --> 00:27:04,730 LET'S GO. 640 00:27:09,730 --> 00:27:13,330 SIT DOWN. 641 00:27:16,110 --> 00:27:18,550 WHAT HAPPENED AT O'LEARY'S LAST NIGHT? 642 00:27:18,580 --> 00:27:21,650 WELL, BILLY WAS TELLING ME TO KEEP MY VOICE DOWN. 643 00:27:21,680 --> 00:27:24,250 HERE I AM, MOURNING MY BROTHER'S DEATH, 644 00:27:24,280 --> 00:27:25,750 SO WE TOOK IT OUTSIDE. 645 00:27:25,780 --> 00:27:26,820 WHY'D YOU RUN? 646 00:27:26,850 --> 00:27:28,020 I WAS LOADED, 647 00:27:28,050 --> 00:27:30,050 AND I DIDN'T KNOW HE WAS HURT THAT BAD, 648 00:27:30,090 --> 00:27:31,220 OR I WOULD HAVE STAYED. 649 00:27:31,260 --> 00:27:32,500 WHOSE IDEA WAS IT TO TAKE IT OUTSIDE? 650 00:27:32,520 --> 00:27:33,820 I'M NOT SURE. 651 00:27:33,860 --> 00:27:35,260 ALTHOUGH I'M NOT SAYING IT COULDN'T HAVE BEEN MINE, 652 00:27:35,290 --> 00:27:37,030 IT'S JUST ‐‐ WHAT WITH SEEING MY BROTHER DEAD 653 00:27:37,060 --> 00:27:38,490 EARLIER ON THE STREET THAT DAY ‐‐ 654 00:27:38,530 --> 00:27:40,000 QUIT BRINGING UP YOUR DEAD BROTHER 655 00:27:40,030 --> 00:27:41,100 AS AN EXCUSE, ALL RIGHT? 656 00:27:41,130 --> 00:27:43,030 YOU SPENT THAT 657 00:27:43,070 --> 00:27:44,940 ON ASSAULTING THE DRIVER OF THE CAR YESTERDAY. 658 00:27:44,970 --> 00:27:47,070 YEAH, I KNOW I'VE BEEN AN ASSHOLE, 659 00:27:47,110 --> 00:27:49,720 BUT I SWEAR I'LL QUIT DRINKING. 660 00:27:49,740 --> 00:27:51,040 JUST, PLEASE ‐‐ 661 00:27:51,080 --> 00:27:53,380 JUST GIVE ME A BREAK HERE. 662 00:28:02,450 --> 00:28:03,850 NAPOLEON RAPP? 663 00:28:03,890 --> 00:28:04,920 WHY, WHAT YOU WANT? 664 00:28:04,960 --> 00:28:06,100 YEAH, WE NEED YOU 665 00:28:06,120 --> 00:28:07,860 TO COME DOWN AND ANSWER SOME QUESTIONS. 666 00:28:07,890 --> 00:28:09,360 NO. NO WAY. 667 00:28:09,390 --> 00:28:10,460 GO GET HIM! 668 00:28:11,730 --> 00:28:14,500 HEY! COME HERE! 669 00:28:19,140 --> 00:28:20,480 YOU ALL RIGHT, GREG? 670 00:28:20,500 --> 00:28:21,700 YEAH, I'M FINE. 671 00:28:21,740 --> 00:28:24,240 WHAT THE HELL ARE YOU THINKING, ASSHOLE? 672 00:28:24,280 --> 00:28:26,750 YEAH, I HOPE THAT BIZETTI'S HAPPY NOW. 673 00:28:33,450 --> 00:28:34,980 MAN, HE TOLD ME I WAS GOING TO JAIL. 674 00:28:35,020 --> 00:28:37,120 I'VE JUST BEEN WAITING FOR SOMEONE TO COME AND GET ME. 675 00:28:37,160 --> 00:28:38,830 YEAH, WHO ARE WE TALKING ABOUT, NAPOLEON? 676 00:28:38,860 --> 00:28:39,830 BIZETTI ‐‐ JOHN BIZETTI. 677 00:28:39,860 --> 00:28:41,320 THE GUY WHO RUNS THE PLACE I WORK, 678 00:28:41,360 --> 00:28:42,460 OR USED TO WORK. 679 00:28:42,490 --> 00:28:43,490 LOOK, MAN, 680 00:28:43,530 --> 00:28:46,640 I'M SORRY ABOUT KNOCKING YOU DOWN, OKAY? 681 00:28:46,670 --> 00:28:48,770 I MEAN, YOU JUST WAIT AND WAIT FOR SOMETHING TO COME, 682 00:28:48,800 --> 00:28:50,500 YOU'RE LOOKING OVER YOUR SHOULDER, 683 00:28:50,530 --> 00:28:52,930 AND WHEN IT FINALLY COMES, YOU'RE STILL FREAKED OUT. 684 00:28:52,970 --> 00:28:54,270 WELL, HOW COME YOU GOT FIRED? 685 00:28:54,310 --> 00:28:56,850 I USED TO WORK THEIR SECURITY FOR TWO YEARS. 686 00:28:56,880 --> 00:28:58,750 SIX MONTHS BACK, THE PLACE GETS SOLD. 687 00:28:58,780 --> 00:29:00,620 THE NEW OWNERS GIVE US THIS BIZETTI. 688 00:29:00,650 --> 00:29:03,350 GETS OUT HIS BROOM, WANTS A BETTER IMAGE, 689 00:29:03,380 --> 00:29:06,280 ONE BY ONE, HE STARTS MOVING OUT THE OLD CREW 690 00:29:06,320 --> 00:29:07,760 FOR THESE PRETTY BOYS. 691 00:29:07,790 --> 00:29:08,930 BIZETTI TOLD US 692 00:29:08,950 --> 00:29:11,450 YOU STOLE A JADE INDONESIAN STATUE. 693 00:29:11,490 --> 00:29:14,160 HE KNOWS I DIDN'T STEAL THAT STATUE. 694 00:29:14,190 --> 00:29:15,360 WHAT AM I GOING TO DO, 695 00:29:15,390 --> 00:29:17,190 THROW AWAY MY JOB SO I CAN STICK 696 00:29:17,230 --> 00:29:19,290 SOME UGLY‐ASS GREEN ELEPHANT ON MY TV? 697 00:29:19,330 --> 00:29:21,630 CONSTRUCTION WORKERS PROBABLY TOOK THAT STATUE. 698 00:29:21,670 --> 00:29:22,870 IT HAPPENED ON MY WATCH. 699 00:29:22,900 --> 00:29:24,700 THAT'S WHY BIZETTI SAYS I DID IT. 700 00:29:24,740 --> 00:29:26,650 I'M TELLING YOU, I DIDN'T TAKE IT. 701 00:29:26,670 --> 00:29:28,770 SO IF YOU DON'T WORK THERE NO MORE, 702 00:29:28,810 --> 00:29:31,550 WHAT WERE YOU DOING BACK THERE YESTERDAY MORNING? 703 00:29:31,580 --> 00:29:34,190 SURVEILLANCE TAPE SHOWS YOU COMING IN AT 9:17. 704 00:29:34,210 --> 00:29:36,380 I WENT TO PICK UP MY SEVERANCE CHECK. 705 00:29:36,410 --> 00:29:37,380 THAT'S IT. 706 00:29:37,420 --> 00:29:38,860 YOU LEFT A HALF‐HOUR LATER. 707 00:29:38,880 --> 00:29:41,120 TOOK YOU THAT LONG TO GET YOUR CHECK? 708 00:29:41,150 --> 00:29:43,520 THE WOMAN IN ACCOUNTING SAID SHE WAS HAVING PROBLEMS 709 00:29:43,560 --> 00:29:45,900 WITH HER PRINTER. CALL HER UP. 710 00:29:45,920 --> 00:29:47,820 SO WHILE SHE'S FUTZING WITH THE COMPUTER, 711 00:29:47,860 --> 00:29:49,730 IS THAT WHEN YOU SLIPPED DOWN TO LEVEL "B" 712 00:29:49,760 --> 00:29:51,530 TO GET A LITTLE SOMETHING EXTRA FOR YOUR TROUBLE? 713 00:29:51,560 --> 00:29:52,630 WHAT ARE YOU TALKING ABOUT? 714 00:29:52,660 --> 00:29:54,830 ONE OF THE MERCHANTS WAS ROBBED AND STABBED 715 00:29:54,870 --> 00:29:56,840 THE SAME TIME YOU WERE THERE. 716 00:29:56,870 --> 00:29:59,470 BIZETTI JUST DOESN'T QUIT, DOES HE? 717 00:29:59,500 --> 00:30:02,740 LOOK, I WAS A SECURITY GUARD THERE TWO YEARS, 718 00:30:02,770 --> 00:30:04,010 PROTECTING THOSE PEOPLE. 719 00:30:04,040 --> 00:30:06,470 NOW I'M A ROBBING, STABBING MANIAC. 720 00:30:06,510 --> 00:30:09,210 WE'RE GOING TO CHECK WITH ACCOUNTING, 721 00:30:09,250 --> 00:30:10,760 MAKE SURE YOU WERE THERE. 722 00:30:10,780 --> 00:30:13,010 NAPOLEON, IF YOU DIDN'T DO NOTHING WRONG, 723 00:30:13,050 --> 00:30:14,880 WHY DIDN'T YOU JUST COME WITH US? 724 00:30:14,920 --> 00:30:16,180 WHY SHOVE A COP? 725 00:30:16,220 --> 00:30:18,350 I TOLD YOU ‐‐ I FREAKED OUT. 726 00:30:18,390 --> 00:30:20,820 NOW I'M GOING TO WIND UP IN JAIL 727 00:30:20,860 --> 00:30:23,220 FOR SOMETHING I DIDN'T EVER DO. 728 00:30:24,630 --> 00:30:26,230 MAY I HELP YOU? 729 00:30:26,260 --> 00:30:27,660 I'M HERE TO SPEAK TO A DETECTIVE. 730 00:30:27,700 --> 00:30:28,830 REGARDING... 731 00:30:28,870 --> 00:30:31,380 WHAT HAPPENED OUTSIDE O'LEARY'S THIS MORNING. 732 00:30:31,400 --> 00:30:34,740 WHAT ABOUT IT? RIGHT THIS WAY, MA'AM. 733 00:30:34,770 --> 00:30:36,400 WERE YOU THERE? 734 00:30:36,440 --> 00:30:38,470 EXCUSE ME, OFFICER. 735 00:30:41,710 --> 00:30:42,840 RIGHT THIS WAY, 736 00:30:42,880 --> 00:30:45,210 AND YOU CAN HAVE A SEAT IN HERE. 737 00:30:47,550 --> 00:30:49,720 DETECTIVES, THERE'S A WOMAN IN THE COFFEE ROOM 738 00:30:49,750 --> 00:30:51,590 WHO WANTS TO TALK ABOUT WHAT HAPPENED 739 00:30:51,620 --> 00:30:53,020 AT O'LEARY'S THIS MORNING. 740 00:30:53,060 --> 00:30:54,870 WHAT'S GOING ON? SIT DOWN. 741 00:30:54,890 --> 00:30:56,930 DID SUMANSKI HEAR WHAT SHE CAME IN FOR? 742 00:31:02,000 --> 00:31:05,130 I'M DETECTIVE SIPOWICZ. THIS IS DETECTIVE SORENSON. 743 00:31:05,170 --> 00:31:06,370 I'M TRACY THOMAS. 744 00:31:06,400 --> 00:31:08,400 HAVE A SEAT. 745 00:31:10,580 --> 00:31:14,490 BILLY SPRAUL DIED OUTSIDE O'LEARY'S THIS MORNING? THAT'S RIGHT. 746 00:31:14,510 --> 00:31:16,550 AND A GUY NAMED STEVE RIORDAN 747 00:31:16,580 --> 00:31:18,250 WHO HIT HIM KILLED HIM? 748 00:31:18,280 --> 00:31:19,380 THAT'S RIGHT. 749 00:31:19,420 --> 00:31:21,660 DO YOU KNOW EVERYTHING ABOUT WHAT HAPPENED 750 00:31:21,690 --> 00:31:23,730 BETWEEN THOSE TWO AT THE TOWN LOUNGE, 751 00:31:23,760 --> 00:31:25,830 THE BAR THEY WERE AT BEFORE O'LEARY'S? 752 00:31:25,860 --> 00:31:27,500 WHY DON'T YOU JUST TELL US? 753 00:31:27,530 --> 00:31:31,000 I WAS AT THE TOWN LOUNGE WITH MY HUSBAND, 754 00:31:31,030 --> 00:31:33,130 AND THIS STEVE, WHO I DON'T KNOW, 755 00:31:33,160 --> 00:31:35,000 HE'S AT THE BAR WITH FRIENDS, 756 00:31:35,030 --> 00:31:36,800 AND HE'S GETTING LOUD, 757 00:31:36,840 --> 00:31:40,480 AND ONE OF THE THINGS HE WAS GETTING LOUD ABOUT 758 00:31:40,500 --> 00:31:43,440 IS THE NIGGER WHO KILLED HIS BROTHER 759 00:31:43,470 --> 00:31:45,240 THAT MORNING, 760 00:31:45,280 --> 00:31:47,520 AND MY HUSBAND ‐‐ 761 00:31:47,550 --> 00:31:50,660 WE WERE THE ONLY BLACK PEOPLE IN THIS PLACE, 762 00:31:50,680 --> 00:31:54,520 SO I CALMED HIM DOWN, AND I ASKED FOR THE CHECK, 763 00:31:54,550 --> 00:31:56,280 BUT BILLY, WHO I DO KIND OF KNOW, 764 00:31:56,320 --> 00:31:57,350 HE GOES OVER TO STEVE, 765 00:31:57,390 --> 00:31:59,350 AND HE ASKS HIM TO SHOW A LITTLE RESPECT 766 00:31:59,390 --> 00:32:01,020 FOR THE PEOPLE AT THE BAR, 767 00:32:01,060 --> 00:32:02,520 MEANING US. 768 00:32:02,560 --> 00:32:05,190 STEVE GOES OFF ON BILLY. 769 00:32:05,230 --> 00:32:06,860 DID THEY FIGHT? 770 00:32:06,900 --> 00:32:08,360 NO. 771 00:32:08,400 --> 00:32:09,700 BILLY LEAVES, 772 00:32:09,730 --> 00:32:11,830 AND STEVE, I MEAN ‐‐ 773 00:32:11,870 --> 00:32:14,670 HIS FACE WAS RED, HE WAS SO ANGRY, 774 00:32:14,710 --> 00:32:17,220 AND HE SAID HE WAS GOING TO KILL BILLY 775 00:32:17,240 --> 00:32:19,510 IF HE EVER SAW HIM AGAIN. 776 00:32:19,540 --> 00:32:21,310 I HEARD IT, 777 00:32:21,350 --> 00:32:23,220 AND SO DID MY HUSBAND, 778 00:32:23,250 --> 00:32:25,790 BUT HE DOESN'T WANT TO GET INVOLVED. 779 00:32:25,820 --> 00:32:27,990 HE DOESN'T EVEN KNOW I'M HERE. 780 00:32:28,020 --> 00:32:32,350 STEVE USED THOSE WORDS SPECIFICALLY? 781 00:32:32,390 --> 00:32:36,220 "IF I EVER SEE THAT ASSHOLE AGAIN, 782 00:32:36,260 --> 00:32:38,030 I'LL KILL HIM." 783 00:32:58,920 --> 00:33:00,860 WHAT'S WITH THE GRIM LOOKS HERE? 784 00:33:00,890 --> 00:33:03,030 YOU NEED TO GET YOUR COUSIN A LAWYER. 785 00:33:03,050 --> 00:33:06,190 I THOUGHT YOU GUYS WERE GOING TO TAKE CARE OF THIS. 786 00:33:06,220 --> 00:33:08,020 THAT'S BEFORE WE GOT THE REAL STORY. 787 00:33:08,060 --> 00:33:09,160 AND WHAT STORY'S THAT? 788 00:33:09,190 --> 00:33:10,690 GET A LAWYER. WE'LL HOLD HIM ‐‐ 789 00:33:10,730 --> 00:33:12,360 I WANT TO KNOW WHAT'S BEEN SAID. 790 00:33:12,400 --> 00:33:15,540 OR ARE YOU GOING TO MAKE ME HEAR IT FROM SOMEBODY ELSE? 791 00:33:15,570 --> 00:33:17,210 APPARENTLY, YOUR COUSIN SAID HE WAS GOING TO KILL BILLY 792 00:33:17,240 --> 00:33:18,210 AT THE TOWN LOUNGE. 793 00:33:18,240 --> 00:33:19,610 ACCORDING TO WHO ‐‐ 794 00:33:19,640 --> 00:33:20,840 THAT BLACK CHICK YOU GOT STASHED IN THE COFFEE ROOM? 795 00:33:20,870 --> 00:33:21,900 CAREFUL, SUMANSKI. 796 00:33:21,940 --> 00:33:23,570 NOW YOU BETTER START BEING CAREFUL. 797 00:33:23,610 --> 00:33:24,710 WELL, THIS IS CRAZY. 798 00:33:24,740 --> 00:33:26,680 TELL ME I GOT TO GET HIM A LAWYER NOW, 799 00:33:26,710 --> 00:33:28,840 AFTER YOU'VE ALREADY TAKEN HIS STATEMENT? 800 00:33:28,880 --> 00:33:31,280 YOU'RE SELLING ME ICE IN THE WINTER HERE, GUYS. 801 00:33:31,320 --> 00:33:32,460 WHERE'S THE HELP? 802 00:33:32,480 --> 00:33:34,580 THE HELP WAS GETTING HIM KICKED FOR YOU YESTERDAY, 803 00:33:34,620 --> 00:33:37,250 WHEN THIS HOTHEAD SHOULD HAVE BEEN COOLING OFF IN A CELL, 804 00:33:37,290 --> 00:33:38,890 AND THE HELP WAS WHAT WE WERE TRYING TO DO 805 00:33:38,920 --> 00:33:40,620 BEFORE WE FOUND OUT HE SAID HE WAS GOING TO KILL BILLY 806 00:33:40,660 --> 00:33:41,890 IF HE SAW HIM AGAIN. 807 00:33:41,930 --> 00:33:45,740 FIRST WE LOSE HIS BROTHER, NOW THIS. 808 00:33:45,760 --> 00:33:47,730 GET THAT LAWYER. 809 00:33:55,610 --> 00:33:56,880 LISTEN, UH, BOSS, 810 00:33:56,910 --> 00:33:59,240 I DON'T WANT YOU TO TAKE THIS THE WRONG WAY, 811 00:33:59,280 --> 00:34:02,150 BUT SOMETHING KEEPS BOTHERING ME ABOUT THAT KNIFE. 812 00:34:02,180 --> 00:34:03,440 DIANE ‐‐ 813 00:34:03,480 --> 00:34:05,450 IT'S NOT A BUSHWHACKER'S KNIFE. 814 00:34:05,480 --> 00:34:06,920 IT'S A FILLET KNIFE. 815 00:34:06,950 --> 00:34:08,580 IT SO HAPPENS THERE'S A FANCY KITCHEN STORE 816 00:34:08,620 --> 00:34:10,220 A BLOCK FROM THE ANTIQUE MART. 817 00:34:10,250 --> 00:34:11,990 I WENT DOWN THERE, AND TWO DAYS AGO, 818 00:34:12,020 --> 00:34:14,090 THEY SOLD ONE EXACTLY LIKE IT TO MRS. BASS. 819 00:34:14,130 --> 00:34:15,230 SHE CHARGED IT. 820 00:34:15,260 --> 00:34:16,790 YOU'RE IMPLYING SHE CUT HERSELF? 821 00:34:16,830 --> 00:34:18,560 GREG AND BALDWIN ‐‐ ARE THEY GETTING ANYWHERE 822 00:34:18,600 --> 00:34:20,110 WITH SUSPECTS FROM THE SECURITY TAPES? 823 00:34:20,130 --> 00:34:22,230 I'M NOT GOING TO APPROACH CAPTAIN BASS ON THIS 824 00:34:22,270 --> 00:34:24,010 BASED JUST OFF WHAT YOU'RE GIVING ME. 825 00:34:24,040 --> 00:34:25,280 THEN LET ME GO TALK TO HER. 826 00:34:25,300 --> 00:34:27,100 ARE YOU SURE YOU WANT TO DO THIS? 827 00:34:27,140 --> 00:34:28,840 IT COULD KICK OFF A DUST STORM, 828 00:34:28,870 --> 00:34:30,610 MIGHT NOT BE GOOD FOR ANYONE. 829 00:34:30,640 --> 00:34:32,570 BOSS, IF THIS WASN'T A CAPTAIN'S WIFE, 830 00:34:32,610 --> 00:34:34,680 WOULD WE EVEN BE HAVING THIS CONVERSATION? 831 00:34:34,710 --> 00:34:36,510 WOULD YOU BE TELLING ME 832 00:34:36,550 --> 00:34:39,250 NOT TO GO REINTERVIEW THE VICTIM? 833 00:34:39,280 --> 00:34:40,980 OKAY. GO TALK TO HER. 834 00:34:52,900 --> 00:34:55,310 MRS. BASS, UH... 835 00:34:55,330 --> 00:34:57,500 YOU DON'T REMEMBER ME, DO YOU? 836 00:34:57,540 --> 00:34:59,310 YOU'RE THE DETECTIVE WHO CAME YESTERDAY 837 00:34:59,340 --> 00:35:00,310 TO ASK ME QUESTIONS. 838 00:35:00,340 --> 00:35:01,640 I MEAN, WE'VE MET BEFORE THAT. 839 00:35:01,670 --> 00:35:03,500 10 YEARS AGO, WHEN YOU WERE INJURED IN THE FIRE, 840 00:35:03,540 --> 00:35:04,710 I WAS ONE OF THE POLICEWOMEN 841 00:35:04,740 --> 00:35:06,110 ASSIGNED TO YOU AT THE HOSPITAL. 842 00:35:06,140 --> 00:35:08,140 OH. 843 00:35:08,180 --> 00:35:10,480 I WAS HOPING WE COULD TALK ABOUT WHAT HAPPENED YESTERDAY. 844 00:35:10,510 --> 00:35:13,510 I'VE ALREADY TOLD YOU EVERYTHING. 845 00:35:13,550 --> 00:35:14,850 YOU SAID WHEN YOU CAME IN 846 00:35:14,890 --> 00:35:17,000 ON THE MAN WHO WAS ROBBING YOUR STORE, 847 00:35:17,020 --> 00:35:18,550 THAT HE PULLED OUT A KNIFE. 848 00:35:18,590 --> 00:35:20,890 YES, THE ONE HE USED TO STAB ME IN THE ARM. 849 00:35:20,930 --> 00:35:23,030 DO YOU OWN A KNIFE LIKE THAT AT HOME ‐‐ 850 00:35:23,060 --> 00:35:27,530 A 6‐INCH FILLETING KNIFE WITH A MOTHER‐OF‐PEARL HANDLE? 851 00:35:27,570 --> 00:35:32,210 NO, MY KNIVES HAVE BLACK HANDLES. 852 00:35:32,240 --> 00:35:35,410 THAT'S A RECEIPT FROM THE DeVILLE‐WINN STORE 853 00:35:35,440 --> 00:35:38,140 FOR A KNIFE YOU BOUGHT THE DAY BEFORE YOU WERE ATTACKED. 854 00:35:38,180 --> 00:35:39,180 I DON'T UNDERSTAND. 855 00:35:39,210 --> 00:35:41,180 MRS. BASS, THIS KNIFE IS IDENTICAL 856 00:35:41,210 --> 00:35:43,340 TO THE ONE YOU WERE STABBED IN THE LEFT ARM WITH. 857 00:35:43,380 --> 00:35:45,050 YOU'RE RIGHT‐HANDED, AREN'T YOU? 858 00:35:45,080 --> 00:35:47,020 DOES MY HUSBAND KNOW YOU'RE DOWN HERE 859 00:35:47,050 --> 00:35:48,850 ASKING ME THESE KINDS OF QUESTIONS? 860 00:35:48,890 --> 00:35:50,730 YOUR STORY DOESN'T ADD UP, MRS. BASS. 861 00:35:50,760 --> 00:35:51,860 WE'VE CHECKED OUT EVERYONE 862 00:35:51,890 --> 00:35:53,860 WHO ENTERED AND EXITED THAT BUILDING YESTERDAY 863 00:35:53,890 --> 00:35:55,590 THAT FITS THE DESCRIPTION YOU GAVE US. 864 00:35:55,630 --> 00:35:57,400 NONE OF THEM ROBBED AND ATTACKED YOU. 865 00:35:57,430 --> 00:35:58,490 HOW DO YOU KNOW THAT? 866 00:35:58,530 --> 00:36:00,560 BECAUSE YOUR HUSBAND'S GOT DETECTIVES WORKING 867 00:36:00,600 --> 00:36:02,500 AROUND THE CLOCK TRYING TO FIND WHO DID, 868 00:36:02,530 --> 00:36:04,530 AND HE'S GOING TO HAVE THEM KEEP ON WORKING 869 00:36:04,570 --> 00:36:06,740 AND TAKING IN INNOCENT PEOPLE FOR QUESTIONING, 870 00:36:06,770 --> 00:36:10,370 BUT THEY'RE NOT GOING TO FIND ANYONE, ARE THEY? 871 00:36:10,410 --> 00:36:14,910 NO, I SUPPOSE THEY'RE NOT. 872 00:36:14,950 --> 00:36:17,260 WHY DID YOU DO IT? 873 00:36:20,080 --> 00:36:23,890 I JUST ‐‐ I JUST ‐‐ 874 00:36:23,920 --> 00:36:27,060 WANTED HIM TO SEE ME, 875 00:36:27,090 --> 00:36:32,630 TO PAY ATTENTION TO ME. 876 00:36:32,660 --> 00:36:35,660 [ SOBBING ] 877 00:36:44,510 --> 00:36:46,610 SHE WENT FOR IT, BOSS. 878 00:36:46,650 --> 00:36:47,890 ALL OF IT? 879 00:36:47,910 --> 00:36:51,310 THIS AND THE OTHER THING. 880 00:36:51,350 --> 00:36:53,950 HOW DO YOU WANT TO HANDLE IT? 881 00:36:53,990 --> 00:36:57,300 PUT DOWN ON YOUR PAPERWORK "ALL LEADS EXHAUSTED." 882 00:36:58,490 --> 00:37:00,260 GREG, BALDWIN. 883 00:37:05,300 --> 00:37:06,970 YOU CAN CUT LOOSE THAT EX‐EMPLOYEE. 884 00:37:07,000 --> 00:37:08,000 HOW COME? 885 00:37:08,030 --> 00:37:09,500 DIANE'S CLOSING OUT THE CASE. 886 00:37:09,530 --> 00:37:11,100 ALL LEADS EXHAUSTED. 887 00:37:11,140 --> 00:37:13,680 BOSS, WE HAVEN'T GONE THROUGH ALL THE VIDEOS YET. 888 00:37:13,710 --> 00:37:14,950 GREG ‐‐ 889 00:37:14,970 --> 00:37:17,170 YOU'RE NOT GOING TO SEE ANYTHING ON THAT VIDEO. 890 00:37:17,210 --> 00:37:18,840 BOSS, THAT EX‐EMPLOYEE NAPOLEON, 891 00:37:18,880 --> 00:37:20,690 WHEN WE PICKED HIM UP, HE RESISTED. 892 00:37:20,710 --> 00:37:22,240 PUT THAT BRUISE THERE ON GREG. 893 00:37:22,280 --> 00:37:24,010 YOU WANT TO COLLAR HIM ON THAT? 894 00:37:24,050 --> 00:37:26,410 NAH, WE CAN CUT HIM LOOSE. 895 00:37:26,450 --> 00:37:29,120 HERE COMES CAPTAIN BASS. 896 00:37:35,030 --> 00:37:36,870 WHERE ARE WE WITH THE CASE? 897 00:37:36,900 --> 00:37:39,040 SIT DOWN FOR A MINUTE, CAPTAIN. 898 00:37:42,500 --> 00:37:44,170 I WANT YOU TO KNOW 899 00:37:44,200 --> 00:37:47,670 ANYTHING I'M SAYING STAYS IN THIS ROOM. 900 00:37:47,710 --> 00:37:49,180 WHAT'S GOING ON? 901 00:37:49,210 --> 00:37:52,220 DETECTIVE RUSSELL SPOKE WITH YOUR WIFE AT THE HOSPITAL. 902 00:37:52,240 --> 00:37:53,710 WHY AREN'T YOU INFORMING ME? 903 00:37:53,750 --> 00:37:57,490 THE KNIFE YOUR WIFE SAID WAS USED TO STAB HER ‐‐ 904 00:37:57,520 --> 00:37:59,660 SHE BOUGHT THAT HERSELF. 905 00:37:59,680 --> 00:38:01,720 WHAT? 906 00:38:01,750 --> 00:38:04,950 SHE TOLD DETECTIVE RUSSELL SHE STABBED HERSELF 907 00:38:04,990 --> 00:38:07,490 AND SHE MADE UP THE STORY ABOUT BEING ROBBED. 908 00:38:07,530 --> 00:38:11,540 SHE ALSO ADMITTED TO STARTING THAT FIRE. 909 00:38:13,730 --> 00:38:16,400 WHAT ARE YOU DOING, ARTHUR? 910 00:38:16,430 --> 00:38:18,230 CAPTAIN, NO ONE IS LOOKING TO HURT YOU. 911 00:38:18,270 --> 00:38:23,340 THIS IS ABOUT HELPING YOUR WIFE. 912 00:38:27,910 --> 00:38:30,910 YOU SHOULD HAVE KNOWN HER WHEN SHE WAS YOUNG. 913 00:38:30,950 --> 00:38:33,210 SHE WAS BEAUTIFUL, SOPHISTICATED, 914 00:38:33,250 --> 00:38:35,720 AND SHE WAS IN LOVE WITH ME ‐‐ A COP. 915 00:38:35,750 --> 00:38:38,990 SHE ALWAYS SAID I MADE HER FEEL SAFE. 916 00:38:39,020 --> 00:38:41,490 NOW... 917 00:38:41,530 --> 00:38:44,500 SHE NEEDS YOUR HELP. 918 00:38:44,530 --> 00:38:46,490 THAT'S WHAT SHE'S LOOKING FOR. 919 00:38:46,530 --> 00:38:48,160 YEAH. 920 00:38:48,200 --> 00:38:52,900 I GOT MY 20 YEARS. 921 00:38:52,940 --> 00:38:55,380 MAYBE I SHOULD PUT IN MY PAPERS. 922 00:38:55,410 --> 00:38:57,580 JUST GO BE WITH YOUR WIFE NOW. 923 00:38:57,610 --> 00:39:00,240 DON'T WORRY ABOUT ALL THE REST OF IT. 924 00:39:02,710 --> 00:39:04,880 I OWE YOU. 925 00:39:04,920 --> 00:39:07,960 NO. NO, YOU DON'T. 926 00:39:07,990 --> 00:39:11,400 PEOPLE ALWAYS SAID YOU WERE A NATURAL LEADER 927 00:39:11,420 --> 00:39:14,290 AND THAT YOU ALWAYS PUT YOUR PEOPLE 928 00:39:14,330 --> 00:39:16,530 AHEAD OF YOURSELF. 929 00:39:16,560 --> 00:39:18,990 NOW I KNOW HOW THEY FEEL. 930 00:39:36,950 --> 00:39:41,150 [ TELEPHONE RINGS ] 931 00:39:41,190 --> 00:39:44,230 [ RING ] 932 00:39:44,260 --> 00:39:46,630 HELLO? 933 00:39:46,660 --> 00:39:48,760 HEY, HOW'S IT GOING? 934 00:39:48,790 --> 00:39:50,230 I WAS GOING TO CALL, 935 00:39:50,260 --> 00:39:52,930 BUT THE DAY JUST SLIPPED AWAY FROM ME. 936 00:39:52,960 --> 00:39:54,100 NO, NOT AT ALL. 937 00:39:54,130 --> 00:39:56,900 NO, I'M SORRY IT CAME ACROSS LIKE THAT. 938 00:39:56,940 --> 00:39:58,910 HEY, I RAN INTO YOUR UNCLE TODAY. 939 00:39:58,940 --> 00:40:00,910 DID HE TELL YOU? 940 00:40:00,940 --> 00:40:05,470 NO, JUST ‐‐ JUST GENERAL CHITCHAT. 941 00:40:05,510 --> 00:40:09,340 NO, NO, NOTHING ABOUT THAT. 942 00:40:09,380 --> 00:40:11,680 YEAH, I DID, TOO. 943 00:40:11,720 --> 00:40:13,930 NO, YOU WEREN'T. 944 00:40:13,950 --> 00:40:16,790 YOU KNOW, I'VE BEEN WANTING THAT TO HAPPEN MYSELF, 945 00:40:16,820 --> 00:40:19,520 SO, NO, YOU DIDN'T JUMP THE GUN OR NOTHING. 946 00:40:19,560 --> 00:40:20,760 CAN WE READ, DADDY? 947 00:40:20,790 --> 00:40:23,160 UM, JUST GIVE ME A MINUTE, THEO, ALL RIGHT? 948 00:40:23,190 --> 00:40:24,160 I'LL BE RIGHT IN. 949 00:40:24,200 --> 00:40:25,300 WHO'S THAT? 950 00:40:25,330 --> 00:40:28,500 I SHOULD REALLY GET GOING, OKAY? 951 00:40:28,530 --> 00:40:31,500 WELL, LET ME SEE HOW THE WEEK SHAPES UP. 952 00:40:31,540 --> 00:40:33,010 YEAH. 953 00:40:33,040 --> 00:40:35,780 YOU, TOO. BYE. 954 00:40:35,810 --> 00:40:37,780 OKAY, BUDDY, COME ON. LET'S GO READ. 955 00:40:37,810 --> 00:40:39,110 WHO WAS THAT? 956 00:40:39,140 --> 00:40:41,510 THAT WAS A FRIEND OF DADDY'S. COME ON. 957 00:40:41,550 --> 00:40:42,520 WHAT FRIEND? 958 00:40:42,550 --> 00:40:45,020 UH, A FRIEND FROM WORK. 959 00:40:45,050 --> 00:40:46,180 JOHN? 960 00:40:46,220 --> 00:40:48,830 NO, NO, IT WAS, UH, ANOTHER FRIEND. 961 00:40:48,850 --> 00:40:51,390 DADDY'S GOT A COUPLE OF FRIENDS, JUST LIKE YOU. 962 00:40:51,420 --> 00:40:54,190 IS IT THE FRIEND YOU GO HAVE DINNER WITH ALL THE TIME? 963 00:40:54,230 --> 00:40:56,840 NOT ALL THE TIME, BUT YEAH. 964 00:40:56,860 --> 00:40:59,160 COME ON. YOU WANT TO GO READ? 965 00:40:59,200 --> 00:41:01,040 WHY CAN'T THEY HAVE DINNER HERE? 966 00:41:01,070 --> 00:41:05,140 BECAUSE WHEN GROWN‐UPS GET TOGETHER, 967 00:41:05,170 --> 00:41:08,740 THEY TALK ABOUT GROWN‐UP STUFF, 968 00:41:08,770 --> 00:41:12,670 BUT WE CAN DO THAT ‐‐ HAVE DINNER. 969 00:41:12,710 --> 00:41:14,510 CAN AUNT KATIE COME TOO? 970 00:41:14,550 --> 00:41:17,690 UH... 971 00:41:17,720 --> 00:41:20,490 LET'S YOU AND ME GO READ, OKAY? 972 00:41:20,520 --> 00:41:22,520 WE'LL DEAL WITH ALL THAT LATER. 973 00:41:22,550 --> 00:41:23,520 OKAY. 974 00:41:23,560 --> 00:41:25,230 OH. 975 00:41:30,530 --> 00:41:36,500 ♪ MOONLIGHT DANCES, THE TWO OF YOU SWING AND SWAY ♪ 976 00:41:36,530 --> 00:41:42,200 ♪ DANCING IN YOUR HEART EACH MOMENT SHE'S AWAY ♪ 977 00:41:42,240 --> 00:41:44,370 ♪ BUT YOU COULD BE HAPPY ♪ 978 00:41:44,410 --> 00:41:47,510 ♪ AND IT'S WORTH WAITING FOR ♪ 979 00:41:47,550 --> 00:41:56,230 ♪ WHEN SHE'S BACK IN YOUR ARMS ONCE MORE ♪ 980 00:41:59,920 --> 00:42:02,360 I NEVER FIGURED YOU FOR '50s DOO‐WOP. 981 00:42:02,390 --> 00:42:04,860 WHAT DID YOU PEG ME FOR ‐‐ GANGSTA RAP? 982 00:42:04,900 --> 00:42:06,300 YEAH. 983 00:42:06,330 --> 00:42:08,900 I WAS MAYBE SEEING YOU AS A WU‐TANG MAN, YOU KNOW, 984 00:42:08,930 --> 00:42:10,100 JUST COULDN'T DECIDE 985 00:42:10,130 --> 00:42:12,200 BETWEEN METHOD MAN OR OL' DIRTY BASTARD. 986 00:42:12,240 --> 00:42:14,150 O.D.B., HUH? MM‐HMM. 987 00:42:14,170 --> 00:42:16,100 IT JUST SO HAPPENS I LIKE DIFFERENT KINDS OF MUSIC, 988 00:42:16,140 --> 00:42:17,410 BUT YOU NEVER GET OVER 989 00:42:17,440 --> 00:42:19,270 THE STUFF YOU HEARD WHEN YOU WERE LITTLE. 990 00:42:19,310 --> 00:42:20,440 TRUE. 991 00:42:20,480 --> 00:42:22,740 MY MOM ‐‐ MY MOM HAD SO MANY RECORDS. 992 00:42:22,780 --> 00:42:25,050 I USED TO JUST SPREAD THE JACKETS OUT 993 00:42:25,080 --> 00:42:26,450 AROUND ME ON THE FLOOR, 994 00:42:26,480 --> 00:42:28,380 BUT YOU HAD TO BE REAL CAREFUL 995 00:42:28,420 --> 00:42:30,450 WITH HER FAVORITE ONES, THOUGH. 996 00:42:30,490 --> 00:42:32,290 LIKE WHICH ONES? 997 00:42:32,320 --> 00:42:33,560 THE DOMINOS... 998 00:42:33,590 --> 00:42:36,320 UH, FLAMINGOS... 999 00:42:36,360 --> 00:42:37,390 HA HA. 1000 00:42:37,430 --> 00:42:39,430 UH, FIVE SATINS. 1001 00:42:39,460 --> 00:42:41,500 AND MY DAD DUG THEM, TOO. 1002 00:42:41,530 --> 00:42:44,830 I USED TO COME STAND IN THE DOORWAY AT NIGHT 1003 00:42:44,870 --> 00:42:47,000 AND WATCH THEM SLOW DANCE. 1004 00:42:47,040 --> 00:42:49,440 ♪ DO BE DO DO ♪ 1005 00:42:49,470 --> 00:42:51,940 ♪ SHOO DO, SHOO BE DO ♪ 1006 00:42:51,980 --> 00:42:55,090 AH, "STILL OF THE NIGHT." 1007 00:42:55,110 --> 00:42:56,410 ♪ OOH, OOH, OOH, OOH ♪ 1008 00:42:56,450 --> 00:42:57,960 I HAVE HEARD THIS ONCE OR TWICE. 1009 00:42:57,980 --> 00:43:00,320 I CAN'T FIGURE YOU OUT. 1010 00:43:00,350 --> 00:43:01,980 DO YOU NEED TO? 1011 00:43:02,020 --> 00:43:03,850 ♪ IN THE STILL ♪ 1012 00:43:03,890 --> 00:43:05,090 ♪ SHOO DO, SHOO BE DO ♪ 1013 00:43:05,120 --> 00:43:06,690 ♪ OF THE NIGHT ♪ 1014 00:43:06,730 --> 00:43:09,100 MM, I DON'T KNOW. 1015 00:43:09,130 --> 00:43:11,440 I'M GETTING LOST WITH THIS FAKING. 1016 00:43:11,460 --> 00:43:13,030 ♪ HELD YOU TIGHT ♪ 1017 00:43:13,060 --> 00:43:15,300 ♪ SHOO DO, SHOO BE DO ♪ 1018 00:43:15,330 --> 00:43:16,360 ♪ 'CAUSE I LOVE ♪ 1019 00:43:16,400 --> 00:43:17,930 ♪ SHOO DO, SHOO BE DO ♪ 1020 00:43:17,970 --> 00:43:18,930 ♪ LOVE YOU SO ♪ 1021 00:43:18,970 --> 00:43:20,500 ♪ SHOO DO, SHOO BE DO ♪ 1022 00:43:20,540 --> 00:43:22,040 ♪ PROMISE I'LL NEVER ♪ 1023 00:43:22,070 --> 00:43:24,010 ♪ SHOO DO, SHOO BE DO ♪ 1024 00:43:24,040 --> 00:43:25,340 ♪ LET YOU GO ♪ 1025 00:43:25,380 --> 00:43:26,820 ♪ SHOO DO, SHOO BE DO ♪ 1026 00:43:26,850 --> 00:43:28,520 ♪ IN THE STILL OF THE NIGHT ♪ 1027 00:43:28,550 --> 00:43:33,690 ♪ IN THE STILL OF THE NIGHT ♪ 1028 00:43:33,720 --> 00:43:34,820 ♪ I REMEMBER ♪ 1029 00:43:34,850 --> 00:43:36,790 ♪ I REMEMBER ♪ 1030 00:43:36,820 --> 00:43:38,450 ♪ THAT NIGHT IN MAY ♪ 1031 00:43:38,490 --> 00:43:41,190 ♪ I REMEMBER ♪